Monday, January 30, 2017

Dear Annie! Pikes Peak Writers Advice Column




Dear Annie:

My critique partners sometimes tell me that they want to know more about this or that element in my story. Isn’t that a good thing? Don’t I want the reader to have questions to keep them turning the pages?

Signed,

Scratching Their Heads

Dear Scratching:

If the questions you raise keep the reader intrigued, you are correct; they do keep him reading. If those questions are not answered or at least developed soon enough, you risk losing the reader. Let’s examine one famous book, To Kill a Mockingbird.

It opens: “When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow. When it healed, and Jem’s fears of never being able to play football were assuaged, he was seldom self-conscious about his injury.”

Already, I’m asking myself why this narrator, a young girl, would open her story by telling about her brother. Their relationship seems unusually close. Why? This will be revealed as we move on, but in the meantime the question keeps me reading.

At the end of the next paragraph, the young girl says that she and Jem discussed what had been a precipitating cause for the accident: “He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out.

Who is Boo? I ask. What a strange name. My curiosity is peaked. Now, if the character (Scout) had not explained how the arm had been broken and left it hanging (bad image), I wouldn’t want to read on as I wouldn’t trust the narrator to tell the story well.

While certain major plot questions may not be fully answered until nearer the end of your book, there must be continual progress in the direction of that resolution.

~ Annie 

Dear Annie:
What is a better way to find a new subject for my novel? I’ve tried some of the suggested techniques, but I’m still not satisfied with my results.

Signed,
Blocked in Texas

Dear Blocked:
Carl Jung said, “The creative mind plays with the objects it loves.” You are experiencing a common problem—one that keeps writers awake at night. My best advice is this: Ponder the subjects that most impassion you. Are they truth and justice? Or political corruption? Maybe Medicare fraud?

Once you select your topic, you have the foundation for a theme, an important element to any significant book. (See my archived PPW article on theme) Now invent a story line which will form the conduit to relay that message. Begin with a strong opening which subtly implies your chosen theme and go from there. Not as simple as it sounds, but you’ll have a solid start to a meaningful work.

~ Annie

Dear Annie:
I have a story idea in mind, but I can’t decide on a setting. They say to write about that which you know. Is that how I should make my decision? I’ve lived in only two boring locations.
Or should I travel to another more interesting setting like Italy and do research? After all, I could write it off.

Tempted to Travel

Dear Tempted:

I see your point. However, I suggest you choose a setting appropriate to your theme. The setting should set the proper mood for the story you are about to tell.

In my first novel set in Colorado Springs, a young girl is madly in love but is forbidden to date her high school sweetheart. She is devastated but later learns that her mother was right; her intended proves to be a clod. The social milieu shapes the values of the people who live there. Fortunately for this girl, her mother’s conservative values save her from a dubious fate and send her on a personal journey that will lead to a suitable mate and career.

The setting of the English countryside where Elizabeth Bennet resides explains the excitement and anticipation she and her sisters feel when they learn of a new tenant of a nearby estate—one capable of introducing some society into their small town. The Nineteenth Century timeframe explains the girls’ motivations to find husbands, perhaps at one of these social gatherings. Jane’s unwillingness to settle for many proposals she receives defines her character and makes her final decision to marry Darcy all the more glorious.

The deep south of the United States during the 1930s is the appropriate setting for Harper Lee’s To Kill a Mockingbird. There she explores the tension of racial issues. And yes, she grew up there, so she is qualified to tell the story. On the other hand, an author with enough research can choose any setting and tell the story well if the idea motivates him or her enough.

If Italy is a perfect setting for your current story, go ahead and book the trip. If the setting doesn’t fit your story, you can always go for leisure. Maybe the perfect story for that setting will dawn on you while there. Or perhaps you’ll think of an idea set on a plane on the way over and change course altogether. You must follow your central idea to the end by choosing the proper location, tone, and timeframe to compliment your story best.

~ Annie 

Have a question for me? Write to me at annshill@q.com with your suggestions. I will answer serious questions, and maybe some funny ones, to the best of my ability. Your writing is of utmost importance to me because it is important to you.

Looking forward to hearing from you,

~ Ms. Annie

About the Author:   Dear Annie is the pseudonym for Ann S. Hill. After hearing the call to write in her thirties, Ann set the ambition aside while life happened. Now that she has retired from her career as a dentist and her children are adults, she is seriously attacking that parked ambition. She spends significant time on her true passion and has recently completed her second novel. Her first novel, Wait for Me, was a finalist in the Zebulon, Pikes Peak Writers Contest. She has written several short stories. In the meantime, she remains a voracious reader and film aficionado. 

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