Monday, July 25, 2016

I Think I've Read This Before

By: Donnell Ann Bell

I’m judging a contest. I love judging. It truly gives me a taste of what storylines are out there, and, in effect I get a glimpse of what editors and agents are seeing. Also, I’m judging some really, really great entries. So that should be an acknowledgement that there are some great upcoming authors in our future.
I also realize that there are romance tropes that are automatically accepted, and I love secret baby stories, the billionaire playboy who meets the girl next door and more. But something that is bothering me is the acceptance of something other than trope. The overabundance of cliché. Frankly, in every one I read it seemed like I’d read it before.
For instance:
That licking lip thing. It reminds me of Marlo Thomas in THAT GIRL. In that long ago series, Ann Marie (Marlo Thomas), an aspiring actress, is at a party and her manager tells her to mingle, and while you’re at it, “Wet your lips, baby. Wet your lips.” She goes around the room licking her lips. The manager points her out to a director, or some such individual, who looks at Ann and her darting tongue, and says, “Oh, right. The thirsty one.”
I’ve never got that image out of my head when a character wets her lips to attract a hero. Which reminds me, I need to try this with my husband and see if it works. (I’ll keep you posted.)
Coffee as sludge. I’m judging romantic suspense, and I kid you not, every single entry has had a terrible coffee reference. Fellow authors, this shows me that we need to stretch. Find a cop who drinks tea perhaps, or some coffee connoisseur who prides himself on making the best cup of coffee ever. Or a boss who outlaws coffee until someone can make a decent cup.
Sound familiar?
The facial hair reference. I’m guilty as the next person on this. I love the bad boy look, and don’t know how to get around it. With the exception that if a cop stops you, or a detective comes to your door, he’s probably going to be close-shaven. (I know, lets fall in love with his aftershave ;)) Or his dimples!
Forgive my facetiousness, please. I truly have had some creative and exceptional entries and many I’ve scored high. But I hate the idea of these fabulous stories being rejected or diminished because they take on words or ideas of authors who used it when the phrasing  was still fresh and creative writing.
As authors we need to work hard to make each story our own. Do clichés yank you out of the story? Cliche: Do you get the impression you've read this before?

Sunday, July 24, 2016

Quote of the Week and the Week to Come

“I have always been more afraid of a pen, a bottle of ink and a sheet of paper than of a sword or a pistol. Alexandre Dumas
 
Source: Biography.com & Wikipedia 

Alexandre Dumas July 24, 1802 – Dec 5, 1870 adopted the last name "Dumas" from his grandmother, a former Haitian slave. Dumas established himself as one of the most popular authors in France, known for plays and historical adventure novels such as The Three Musketeers and The Count of Monte Cristo.


This Week on Writing from the Peak


July 25           I Think I’ve Read This Before by Donnell Ann Bell



July 27           Planning a Writing Retreat by J.T. Evans



July 29          Sweet Success Celebrates Shannon Lawrence

Friday, July 22, 2016

Sweet Success Celebrates Shannon Lawrence & Grandmother's Leather Sofa

By: Kathie Scrimgeour

“Grandma’s Leather Sofa,” a memoir flash fiction by Shannon Lawrence, was published April 24, 2016 as part of the journal entitled, Ember: A Journal of Luminous Things (MG, YA, Adult, -ISBN trade paperback: 978-1-68073-058-6, -ISBN hardcover: 978-1-68073-057-9, 151 pages), by E&GJ Press. Ember is a beautifully illustrated semiannual journal of poetry, fiction, and creative nonfiction for all age groups.  It is available at: E&GJ Press: http://store.egjpress.org/collections/ember/products/ej022


My grandmother was dying, and she asked my mother and I to take her home. She didn't want to die in the hospital. This is a short creative memoir of one of the nights I sat up with her.


A fan of all things fantastical and frightening, Shannon Lawrence writes primarily horror and fantasy. Her stories can be found in anthologies and magazines, including Under the Bed, Devolution Z, and The Deep Dark Woods. When she's not writing, she's hiking through the wilds of Colorado and photographing her magnificent surroundings, where, coincidentally, there's always a place to hide a body or birth a monster. Find her at www.thewarriormuse.com.

Wednesday, July 20, 2016

By Any Other Name

By: Darby Karchut

What’s in a character’s name? Well, a heck of a lot, really. The perfect name expands your imaginary universe and helps establish the character’s personality. It can be obvious or subtle. For many writers, including myself, characters do not become “alive” until they bear the perfect handle. That holds true for readers, too.

Here are some things to think about when choosing names for your characters:

Respect Your Genre

This is especially important in fantasy and sci-fi and historical fiction. Culturally-inspired names add another layer to your world building and helps ground your work in a real place and time, even if your book is fantastical in nature. And just as period costumes, manners, and vocabulary set the tone for your historical novel, so, too, can the proper name.

If your novel is inspired by legends from other cultures, this is fairly easy to do. Since my middle grade series, The Adventures of Finn MacCullen, is based on the Irish legend of The Boyhood Deeds of Finn McCool, I took the Gaelic spelling of Finn McCool (Fionn mac Cumhail) and Anglicized it to Finn MacCullen. A tried-and-true practice within the fantasy genre, but it is still an effective technique, especially for younger readers who are coming across this stuff for the first time.

Another tip: Use the name to reveal about the character’s essence. In my YA series, Griffin Rising, the hero is a teen guardian angel named Griffin. I gave him that name for two reasons: One, it means “Strong in Faith.” Two, it begins with a hard consonant (more on the actual sounds of names later). The challenge for you as the writer is to find a clever way to weave background tidbits about the name(s) into the story. Some readers will skip over this kind of geekery. Others will eat it up. Sprinkle it in judiciously.

J.K. Rowling, in her Harry Potter series, did a wonderful job taking roots words (many which had a Latin or Greek origin – just screams English boarding school, does it not?) and creating spot on names. For example: Serverus (severe), Albus (white), Draco (dragon). She also used alliteration (Rowena Ravenclaw, Salazar Slytherin, Helga Hufflepuff, etc.) but beware—too much of a clever thing is too clever by half.

Age Appropriate

Is the name appropriate for the age of your character? Check the baby names lists for the year your character was born, not the time period they are living through in your story. For most part, a woman born in the 1950s would have a different name than a teen girl born in the early 2000s.

A New Twist

That said, you might want to make your character stand out by giving them an unusual name (perhaps an old family name). In Stone’s Heart, Stonewall Wheeler is a modern-day farrier living in western Colorado. His son is Beau. Good, solid cowboy-ish monikers, and a tip of the hat to Civil War aficionados, to boot.   

Music to the Ears

Say your characters’ names aloud. How do they “feel” when you say them aloud? A hard consonant (B, D, G, T, etc.) can project strength or power. Softer vowels (A, M, N, O, etc.) might indicate a gentler personality. Sibilant sounds (S, Z, sometimes P or Th) can go either way. One of my characters from The Stag Lord is Shay Doyle. She is a shield maiden, as well as her clan’s healer. So, I chose the softer-sounding ‘ay’ in Shay and paired it with the hard consonant of ‘d’ in Doyle to show both her sides: healer and warrior. Soft and hard.

Ready for something subtle? Take Game of Thrones’ Ned Stark. The name starts off with a softer sound of ‘n’ (a family man, Ol’ Ned was), then it ends in a hard, clipped consonant. The ‘k’ sounds like the snap of a dire wolf’s jaws. Yeah, yeah. I’m stretching it, but you get my point.

Mind Your ABCs

Make sure none of your characters have similar names: Ken/Ben. Mac/Max. Casey/Kaci/Cassie/Kelsey. Olive/Olivia. Jim/Jem. Readers will get frustrated having to pause to figure out who’s who, especially at the beginning of the story.

One way to avoid this is to make sure your main characters’ names start with a different first letter. A lot of readers only skim the first few letters of a name. You want your readers turning pages, not slowing to remember if Mike was the romantic lead or was it Mitch?

I admit that the geek in me takes great joy in researching and selecting just the right name for my characters. It helps me understand who they are, why they are the way they are, and what they want out of life. I hope these thoughts help you, too, in your writing adventure.

Now, if folks would just stop calling me Darcy instead of Darby…

About the Author: Darby Karchut is an award-winning author, dreamer, and compulsive dawn greeter.  A native of New Mexico, she now lives in the foothills of the Rocky Mountains, where she runs in blizzards and bikes in lightning storms. When not dodging death by Colorado, Darby is busy writing for children, teens, and adults. She is represented by Amanda Rutter at Red Sofa Literary.




Monday, July 18, 2016

Pikes Peak Writers Advice Column: Dear Annie



Dear Annie:

Why do my metaphors and similes go splat? My critique group claims they simply are not working. I thought they were clever. What’s wrong?

Signed,
Not So Clever


Dear Not So Clever:

You might be right. Your metaphors may be astute, but ask yourself whether the comparison you’ve created does what you want it to do. Are your metaphors appropriate for the mood, the setting, and the character involved? Having an eight-year-old girl note that her teacher dresses like a prostitute may perfectly describe the teacher, but would this little girl have the background to make that observation? Similarly, would Harry Potter compare Ron Weasley’s flaming red hair to that of Anne of Green Gables? If you construct your metaphor to be appropriate as well as descriptive, you’ll accomplish your purpose while avoiding slippery banana peels, too. Oops! Splat!



Dear Annie:

My story is complete but the word count is less than expected for my genre. How can I fix that without ruining my plot structure?

Signed,
Coming Up Short in Manitou Springs


Dear Coming Up Short:

Have you developed each goal, motive, and conflict well? A careful analysis can prompt a writer to create an entire new chapter. Maybe there is a relevant aspect to the personality of your main character, for example, that you have not yet fully defined. Added words may be required throughout the manuscript to accomplish this. Or you may need an additional scene to demonstrate clearly this side to his personality. Also check that all plot points are adequately developed and that they demonstrate their relevance to the main goal of the protagonist.

Warning: be sure that you’re enhancing an appropriate element to the story and not simply padding to accomplish a certain word count.



Dear Annie:

My critics say that I hammer home the same emotions and motivations in the main character as she moves through the story. How can I be sure that I’m not being tedious and overdoing this? I don’t care to bore my reader.

Signed,
Hoping to Thrill


Dear Hoping to Thrill:

To interest a reader, characters need to be complex and multi-layered. While protagonists have one main goal, achieving that goal should involve complications in the plot which inspire growth and reveal the intricacies of their motivations. Don’t forget that subplots which run concurrently to the main plot also demonstrate the character’s minor goals and reveal breadth of personality. Including subplots deepens your story and necessarily increases word count though that should be a secondary objective.



Dear Annie:

I’ve written five novels without a problem. Now I feel tapped out, devoid of inspiration. I’ve heard that every writer has one good novel in him/her. Guess I had five. Any suggestions?

Signed,

Throwing in the Towel in Grand Junction


Dear Throwing:

Whoa. Sounds like you need some serious R ’n R. If you could accomplish this uncommon feat five times, you can surely do it again. Think of a cause that arouses your passion or that makes your blood pressure soar. Go for a long leisurely hike in a quiet natural setting and let your mind massage that issue or subject. Put zero pressure on yourself. If you don’t get an inkling of an idea, try again tomorrow. This process may take a week or two, but chances are, the potential theme will present itself as though from a deep Godlike voice descending from the clear blue sky overhead.

Once you formulate a concept, identify a theme, and establish a goal for the main character, sit down and write. The very act of writing should lead your mind in surprisingly creative directions. If writing a detailed outline is your stumbling block, skip it. Let the creativity flow. If you get off course, you can always rewrite. On the other hand, if your characters are guiding you in this alternate direction, take their counsel.


Dear Annie:

Do you ever run out of questions for your article?

Signed,
Just Wondering in Colorado Springs


Dear Wondering:

Not yet. But write to me at annshill@q.com with your suggestions. I will answer serious questions, and maybe some funny ones, to the best of my ability. Your writing is of utmost importance to me because it is important to you.

Looking forward to hearing from you,

~ Ms. Annie


About the Author:  Dear Annie is the pseudonym for Ann S. Hill. After hearing the call to write in her thirties, Ann set the ambition aside while life happened. Now that she has retired from her career as a dentist and her children are adults, she is seriously attacking that parked ambition. She spends significant time on her true passion and has recently completed her second novel. Her first novel, Wait for Me, was a finalist in the Zebulon, Pikes Peak Writers Contest. She has written several short stories. In the meantime, she remains a voracious reader and film aficionado. 

Sunday, July 17, 2016

Quote of the Week and the Week to Come

“When I first started writing, I was in advertising at the time, I was doing most of my writing on weekends. I had studied most of the other series heroes and I figured it would be fun for mine to be different and put him in and around water. So I dreamed up Dirk Pitt.” 

Source: Google and Wikipedia

 Clive Eric Cussler (born July 15, 1931 in Aurora, Illinois) is an American adventure novelist and marine archaeologist. His thriller novels, many featuring the character Dirk Pitt, have reached The New York Times fiction best-seller list more than seventeen times. Cussler is the founder and chairman of the real-life National Underwater and Marine Agency (NUMA).



This week on Writing from the Peak:


July 18                  Dear Annie PPW’s Writer Advice Column


July 20                  By Any Other Name by Darby Karchut


July 22                  Sweet Success Celebrates Shannon Lawrence

Friday, July 15, 2016

Shannon Lawrence, Sweet Success and Once Upon a Scream

Shannon Lawrence is enjoying another Sweet Success with the publication of her short story, “The Black Undeath” in Once Upon A Scream, (adult horror/fairy tale, ISBN13: 978-1530529513, 280 pages), by HorrorAddicts.com on April 23, 2016. It is available at Amazon and Createspace:
Amazon: Amazon
Createspace: https://www.createspace.com/6137489

One Upon a Scream is an anthology filled with everything that goes bump day or night. “There was a tradition of telling tales with elements of the fantastic along with the frightful. Adults and children alike took heed not to go into the deep, dark woods, treat a stranger poorly, or make a deal with someone- or something-without regard for the consequences. Be careful of what you wish for; you just might get it. From wish-granting trolls, to plague curses, and evil enchantresses, these tales will have you hiding under the covers in hopes they don't find you. So lock your doors, shutter your windows, and get ready to SCREAM.”



“The Black Undeath” is a retelling of Rumpelstiltskin. An illness, combining the bubonic plague and leprosy, has struck the royal family, infecting their infant son. Can the mysterious little man really help, or does he have ulterior motives? 


Shannon is a fan of all things fantastical and frightening, she writes primarily horror and fantasy. Her stories can be found in anthologies and magazines, including Under the Bed, Devolution Z, and The Deep Dark Woods. When she's not writing, she's hiking through the wilds of Colorado and photographing her magnificent surroundings, where, coincidentally, there's always a place to hide a body or birth a monster.