By the end of the school year, my creative writing students
can chant a couple of my maxims in unison, because I’ve hammered them into
their brains all year long:
Torture your
characters or you’ll torture your readers
…and…
Write characters as
they are, not as they should be.
Pretty awesome, right? Yeah. I think so, too…too bad I’ve
ignored my own instructions.
My agent started sending out my manuscript in early
December, and though I’ve happily received some nice compliments, all are
followed by something along the lines of “thanks, but no thanks.” And all of
the criticisms center on two things. Think you can guess?
You got it: the main characters are too idealized, and there
is not enough “at stake,” so the plot’s not really “gripping.”
How did that happen exactly? Why are my characters so “good,”
and why is the plot…less than gripping? If you’ve been to enough workshops, and
read enough of The Writer magazine,
you know the answer.
I have a crush. And what do you do when you have a crush?
You believe the object of that crush is perfect, or at least closer to perfect
than any other pitiful excuse for a person on this planet. You’re wrong, of
course. And thinking that way actually blocks you from getting to know that
person in a real, authentic way. That
person never becomes real to you.
You also try to protect that crush from hurt and harm, and
if you’re successful, well, that’s lovely, but you also don’t get to see that
person in action. You don’t get to witness his or her strength of character,
cleverness, resilience, patience, kindness, all-around awesomeness. Then you
don’t get to fall into actual, honest-to-goodness love.
Alternatively, you don’t get to see them wimp out, duck,
cheat, lie, steal, or take advantage of orphans and puppies to get themselves
out of danger. And then you don’t get to feel delicious, passionate loathing.
In short, you don’t get to feel anything real.
Getting the theme here?
Me, too. So I’m going back in, people. I’m going to let my
main characters be stupid and headstrong and say awful things they can’t take
back (it’s actually already in them – I’ve been muzzling them all this time). I
want to get to know them even better, and make my readers see themselves in my
characters, or at least see someone they could swear they’ve met before.
And then I’m going to subject my characters to all kinds of
torture—stuff they’ll sweat and cry and anguish over, until they’re finally
overcomers and against-all-odds triumphant.
Because I want the readers to fall into honest-to-goodness,
head-over-heels, but land-on-the-solid-ground love.
About the Writer: Mandy Brown Houk is a freelance writer and editor, and she teaches at a small private high school in Old Colorado City. She's written for several magazines and anthologies, and has completed two novels--only one of which is worthy of the light of day. Mandy's work is represented by Sally LaVenture at Warner Literary Group. Her web site is www.mandybrownhouk.com.
Great thoughts, Mandy. With my WIP, I just came to a point where I know now that things will not end well for my protagonist. I mean, they were never going to end perfectly, but I really wanted to make things a little easier on him, and then I realized, that's not the story I'm telling. This isn't a romcom. It's contemporary realism YA. And in real life, things don't always turn out well.
ReplyDeleteIt's rough to abuse our characters, isn't it? But it has to be done. Good luck as you go down that path.
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