A few weeks ago Jamie LaRue and
Lisa Casper of Douglas County Libraries met with a group of local authors to
talk about publishing e-books at DCL libraries. As executive director of The Writing School and an author with plans to begin e-publishing next spring, I
was honored to be included.
Jamie opened the meeting with
statistics about e-book growth.
e-Book
Growth
- In 2010, Amazon reported selling 115 e-books for every 100 paperbacks and three e-books for every hardback.
- In 2004, there were 29,000 self-published titles in the United States. In 2009, there were 766,000. In 2010, 2.7 million.
- Independent publishers are now publishing almost as any titles per year as mainstream (approaching 300,000).
- Publishers Weekly reported e-book sales rose 117% in 2011
If more and more books are
available as e-books, if more and more readers are reading electronically,
clearly libraries have to adapt. But legacy publishers aren’t making that easy.
Here are the terms from the big six publishing companies for e-book publishing
at the library:
Legacy
Publishers Stonewall Libraries
- Hachette, Macmillan, Simon & Shuster won’t sell e-books to libraries at all. Under any terms.
- HarperCollins requires libraries to buy e-books again after 26 checkouts.
- Random House increased their prices by 3-5 times. (Danielle Steele’s latest book cost the library $84).
- Penguin is considering selling to libraries after the book has been on the market for six months.
- The library has lost ownership, discount and integration (into their catalogs) for most e-books.
Libraries
Grow Readers
Research by Pew and Bowker and
repeated in Douglas County shows the e-book lending does NOT undercut sales. In
fact, the more people that use the library, the more e-books they buy. “Power
users” (more than once a week) buy one e-book for every two they borrow.
Libraries
Grow Writers
My local library had such a
profound effect on me that the thought that there could be a future without
libraries is chilling.
My mother told me she had to wait
until she was old enough to get a library card to check books out. When she
finally did, she spent her days on her bed, eating apples and reading as her
immigrant grandmother told her she was going to ruin her eyes, told her to go
out to play like her athletic sister.
When I was young, every Saturday we would start family errands at the
library. Then we’d go to the grocery store and finally, the Italian store for
lunch meat, cheese and bread. The culmination of our weekly ritual was a dinner
of giant Italian sandwiches and treat of all treats, we could read at the
dinner table. Only on Saturday.
By the time I was seven I had
begun eyeing the very small teen section on the other side of the library. I was
too young for those books, my mother said. So I devised some goals to keep me
occupied. First I read all the purple-spined books on the children’s shelves.
Then I went through the children’s catalogue for any book that had been written
by, starred or in any other way referred to the name Deborah or one of its
derivatives.
When I asked again to move to the
teen section, my mother said there were still children’s books I hadn’t yet
read. So I did the only thing I could do. I started at one end of the
children’s section and read every single book in order, even the ones I’d
already read.
Each week I started at the shelf
where I left off the week before, not considering that books were checked out
and returned all the time, so there were books behind me that I hadn’t read. I
just plowed forward. I read as many as I could while we were at the library and
checked out a pile when we left. I have no idea how long it took, but I do
remember the day I finished.
This time, when I whined to my
mother about nothing to read, I had the sense to whine in front of the
librarian. Together they decided I had earned my way to the other side of the
library.
Ah, the teen section with its
stories of girls who had boyfriends, of high school and books that tackled
issues like jealousy and thinly-veiled instructions on being a lady. I remember
the first teen book I read. A purple-spined book called “To Have and Not Hold.”
But the teen section was small so
when I reached the end of that I moved on to the adult section. This time without
even asking.
Eventually, my mother got tired
of checking what I was reading and soon the whole family was sharing books. I
read “Diary of a Mad Housewife,” hidden behind my social studies book at night
in bed while my parents watched TV. “Rosemary’s Baby,” “The Godfather,” “Gone with
the Wind,” “Valley of the Dolls”: the world was an astounding place.
I was a voracious reader and then
one day I began to write. Together, my mother and the Town of Tonawanda
libraries in New York State grew me into a writer.
It can’t be possible that
libraries could disappear.
Enter Director of Douglas County
Libraries, Jamie LaRue, and “The DCL Model.”
DCL
Model
- Under DCL’s new program, Douglas County Libraries are working with over 800 publishers and buying (not renting) e-books, at discount, and integrating them into their catalogs. In addition to buying e-books, DCL is providing a link to purchase them.
- The DCL Model is being adopted by libraries from California to Florida and has been investigated by libraries from Europe to New Zealand.
Local
Authors Lend a Hand
At the task force meeting, the
first question asked was: Would you donate a copy of your e-book to the
library? The answer was a resounding “Yes.”
That settled; we moved on to talk
particulars. How the library might maintain quality by creating a selection
process. How the library might be a piece of the local author’s marketing plan.
It was a productive meeting. A
hopeful meeting. There doesn’t have to be a world without libraries.
Legacy publishing may perish, but
long live the library.
About the Writer: Deb McLeod, is
a writer, creative writing coach, co-founder and executive director of The Writing
School. She has both an MFA and a BA in creative
writing. She has been teaching and coaching for over ten years. Deb has
published short fiction in anthologies and journals. She has written articles
and creative nonfiction. Deb has been a professional blogger, tech writer,
graphic artist and Internet marketing specialist.
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