Wednesday, September 14, 2016

Sharing Literary Citizenship through Historical Fiction

Hi! My name is Jason Evans and this is the premiere of my Pikes Peak blog on historical fiction. I am really excited to share my experiences, my passion, and my so-called, “expertise,” on the subject with the members of the Pikes Peak Writers community. Before I begin, I want to thank Donnell Bell for offering me this opportunity to reach out to you, the members of Pikes Peak Writers.

So before we get started, allow me to stand on my soapbox.

I strongly believe in “Literary Citizenship.” It’s a term I coined a couple of years ago. Basically, it means we are all members of a strong and diverse community of writers in Colorado Springs, the Rocky Mountain Region, and across North America and the world. As a member of this community, we have to constantly earn our place through service. But it doesn’t end there.

To keep our place, we have to continue to be of service to our fellow writers. The good news is that service renews our hope and revitalizes our art, and anybody can serve.

It could be telling a friend about a great craft book we’ve discovered, or writing a review for a friend’s published book on Amazon. It could be as simple as celebrating our peers during their successes. (This may also mean swallowing our jealousy – hard!) If you’ve been in the writing game for a while it may be volunteering at the Pikes Peak Writers Conference by leading a panel or seminar. It could also mean mentoring someone new to the craft. I myself have been humbled by the support I’ve received from pros like Aaron Michael Ritchey, author of the Never Prayer and Dandelion Iron. Or, my dear friend Mary Wine, author of Highland Heat and Highland Spitfire.

The point is, wherever you are in the writing process, whether you’ve published a book, or struggling with your opening line, you too can help others along the way. There is room enough for everyone and this is not a competition.

I get the impression that historical fiction scares a lot of people. That the idea of writing a compelling story, (whether it’s a novel, a novella, or a short story,) somehow should be the province of the professional historian, or at least the master of historical trivia.

I also get the impression that some people believe that you can’t write historical fiction with diverse characters. Whether those characters be women, minorities, transgendered or gay, nothing could be further from the truth.

Let’s take two popular eras for book writers, for example: Regency and Tudor England.

The formal English Regency, when Parliament declared George III unfit to rule, occurred from 1811-1820, when George III died. However, many artists, architects and historians use the term loosely to refer to period from 1795-1837.

Regardless of how you define it, this was a tumultuous period in British history. Want strong women? How about the Quaker reformer Elisabeth Fry, who worked tirelessly to make British prisons more humane for both men and women. Growing up in a family of bankers and politicians, she used her influence to wage a nonstop battle against corruption and the abuse of women for more than 30 years.

Or how about the Irishwoman Elizabeth Conyngham, an Irish noblewoman by marriage and mistress of King George IV. Born into a wealthy Irish banking family, she climbed the social ladder using her looks to her advantage until she gained the attention of the prince-regent. Weak women don’t manipulate kings like this woman manipulated King George IV.

Intrigue and social reform not cool enough for you? OK. Remember this, the American War of 1812 and the Napoleonic Wars occurred during the English Regency. Native American tribes fought on both sides of the War of 1812. Tribes like the Shawnee, the Winnebago, Delaware and Miami fought for the British. And, the largest emancipation of African slaves in North America, before the Civil War, occurred when the British freed and enlisted 4,000 slaves. Many of these former slaves chose careers in the British armed services as sailors and soldiers, earning ranks as high as sergeant. (Officer ranks were reserved, mostly, for the British nobility.)

During the Napoleonic Wars, revolution ravaged Latin America, too. In Latin America many of those who supported revolution from Spain were Mestizo or Creole with Native American and European heritage – although this was not always the case. Again though, we have the potential for diverse characters!

Let’s also remember that during this period, women controlled noble titles, estates, farms & businesses while their men fought on both sides. Let’s also remember that women worked as spies, as did men of all heritage. And, while I personally have never researched the appearance of transgendered or gay historical persons from the English Regency, that doesn’t mean they weren’t there.

The Tudor period, on the face of it, seems like it would be a much more homogenous time in European history. Diverse people lived all throughout the British Isles during this period, too. But let’s define our terms, shall we?

The Tudor period was 1485, when Henry 7th killed Richard III at the Battle of Bosworth Field, to 1603, when Queen Elizabeth I died, ending the Tudor line of monarchs. While this was a much more peaceful period, it was still a time of cultural and ethnic interaction and appropriation.

For example:

Pocahontas visited England and actually had an audience with Queen Elizabeth I.

Sailors and artisans from Spain routinely settled in England for business reasons before and during the Anglo-Spanish War. Some of these were of Arab and African descent.

Visitors from the Ottoman Empire visited England during Elizabeth’s reign in an attempt to build an alliance against Philip II’s Spain.

Onyeka Nubia published Blackamoores: Africans in Tudor England, their Presence, Status and Origins, in 2013. He argues that Africans existed in small numbers in Elizabethan England as artisans and craftsman. That the evidence shows they married into English families and were a part of English culture, however small.

So let’s review: Arabs, Africans, Native Americans and Turks. I see diversity of characters here!

Did I mention the Irish pirate Grace O’Malley, scourge of the Irish Sea?

Not convinced?


Look at these three medieval paintings. In each one, a woman is participating in a traditional male craft. One is butchering  – a man’s job.















Not convinced? Look at the woman sculpting a statue with a hammer and chisel.



Still not convinced? Look at the woman in the back of the third painting, she working as a BLACKSMITH!





Diverse people and strong women lived in all periods of western history, you just have to look for them.

So what do you do with the information? WRITE YOUR STORY! Write strong women characters. Write characters who are Black, Arab, and Latin Americans. Write gay and transgendered characters.

Now, this is not license to ignore the historical record. No African prince proposed to Queen Elizabeth I. No Muslim-Arab became Duke of Somerset. Women were still brutalized and oppressed in many situations. Homosexuals and transgendered were sent to prison or murdered when discovered. But the evidence points to their existence in both the English Regency and Tudor England.

Tell the awful, horrible truth, in your historical fiction. People of diverse origins lived, worked, and thrived in the past. Sometimes they struggled and were treated unfairly, but they were there.

The past was more diverse than we imagined.

So what are you waiting for? Go write!

You can sign up for his newsletter and visit Jason at his website at www.jason-evans.net.  
Or, you can like his author page on Facebook: Jason Henry Evans
Or, follow him on Twitter @evans_writer

About the Author:  Jason Evans always wanted to be a writer, he just didn't know it. He grew up in Pasadena, California, in the 1980s where he watched way too much television, but was introduced to literature by his grandfather and his favorite middle school and high school teachers. He wasted his youth working at the So Cal Renaissance Faire (a dangerous place because it’s the gateway drug to other historical costumes,). In his leisure time he’s an educator, a writer, and a bon vivant. He is a graduate of UC Santa Barbara, with degrees in History & Renaissance Studies, a teaching credentials from CSU Los Angeles, as well as a graduate degree from the University of Colorado, Denver. He currently resides in Denver with his wife, the fetching Mrs. Evans, their three dogs and a mischievous cat who calls him his thrall.


Monday, September 12, 2016

What's In It for You? Entering the 2017 Zebulon Writing Contest

By: Dawn Smit

Are you working on your Zebulon contest submission?




The 2017 Zebulon Writing Contest opens for submissions on Thursday, September 15.

Normally, at this point I’d wax rhapsodic about how useful contests are for writers in terms of deadlines, attention to detail, professional presentation, and getting used to complete strangers reading your work. It’s just like submitting to an editor or agent—in fact, the top entries in each category effectively do just that in our VIP judging round—only we promise feedback, even critiques if contestants so desire. We have many great judges, some of whom have been judging for longer than I’ve been working with the contest.

Normally, I’d talk about how encouraging contests can be, especially this contest. Writing is generally a solitary exercise, and not everyone understands why we do it. This means we don’t get a lot of kudos, especially at the beginning when our writing, ahem, needs work. Even as we get better at our craft, we may only hear praise and constructive criticism from our critique group (you do have a critique group, right?). A good writing contest can help fill this gap and let us know that we are indeed improving. That’s what happened for me, and I want it to happen for you.

However, this year’s Zebulon has something more going for it. This year’s contest is affiliated with the 2017 Pikes Peak Writers Conference, which is celebrating its 25th year. As a volunteer, I hear things, and let me tell you, it’s going to be big. PPW is pulling out all the stops on editors, agents, and authors. Darynda Jones of Charley Davidson fame will attend her first PPWC. Keynote speakers will include Kevin Hearne of The Iron Druid Chronicles, best-selling author Tess Gerritsen, creator of the successful TV show Rizzoli and Isles, and literary agent Donald Maass, well known for his Writing the Breakout Novel workshops. Imagine talking with industry movers and successful authors. 


Imagine talking with industry movers and successful authors. Imagine walking around with a CONTEST WINNER nametag, getting first dibs on your editor/agent query appointment, and receiving your reward in front of this group of people. Imagine coming to the 25th PPWC for free because you placed first in your contest category.

So, are you working on your Zebulon contest submission?

Find out more about the Zebulon at:
http://www.pikespeakwriters.com/contest/


Important Dates: (Mark your Calendars)

Thursday, September 15, 2016 – The Zebulon is open to submissions

Tuesday, November 1, 2016, 12 p.m. MST – The Zebulon closes to submissions

November 2016 – February 2017 – Judging

March 2017 – The Zebulon announces winners and returns judged submissions

Saturday, April 29, 2017 – The Zebulon awards ceremony and banquet at the 25th Pikes Peak Writers Conference

About the Author: Dawn Smit is a freelance editor and proofreader and the creator of Rainbow Editing®, a technique that writers can use to teach their computers to help them self-edit. She was the contest director for the Paul Gillette Writing Contest from 2005 to 2010 and has returned for an encore.

Sunday, September 11, 2016

Quote of the Week and the Week to Come

“The brain may take advice, but not the heart.” ~ Truman Capote


Source Wikepedia


Truman Garcia Capote, Sep. 30, 1924 – Aug. 25, 1984, ) was an American novelist, screenwriter, playwright, and actor, many of whose short stories, novels, plays, and nonfiction are recognized literary classics, including the novella Breakfast at Tiffany's (1958) and the true crime novel In Cold Blood (1966), which he labeled a "nonfiction novel". At least 20 films and television dramas have been produced of Capote novels, stories, and plays.



This week on Writing from the Peak



Sep 12     What’s in it for you? The Zebulon    by Dawn Smit



Sep 14     Sharing Literary Citizenship by Jason Evans




Sep 16     Sweet Success Celebrates Darby Karchut aka Darby Kaye


Friday, September 9, 2016

Sweet Success Celebrates Margaret Mizushima second in a series

Stalking Ground, Margaret Mizushima’s second in her Timber Creek K-9 mystery series, is scheduled to release September 13, 2016 by Crooked Lane Books (ISBN: 978-1-62953-834-1, in all formats, 320 pages). For more details, check out her website at www.margaretmizushima.com under the Books tab.

In this episode, Deputy Mattie Cobb and her dog Robo return to investigate what happened to Deputy Ken Brody’s missing sweetheart, but the hunters become the hunted when she, Brody, and veterinarian Cole Walker find themselves caught in a killer’s stalking ground. This sequel to Mizushima’s Killing Trail can be found on several online booksellers or at a bookstore in your neighborhood.

Margaret Mizushima is the author of the Timber Creek K-9 mystery series, which includes Killing Trail (2015), named debut mystery of the month by Library Journal, and Stalking Ground (9/2016). She lives in Colorado where she assists her husband with their veterinary practice and Angus cattle herd. She can be found on Facebook, on Twitter @margmizu, and on her website at www.margaretmizushima.com.

Thursday, September 8, 2016

Psst. You. Hey, You! Wanna Have a Good Time?

By: MB Partlow

If you like the idea of having the legal limit of fun while doing something for the writing community, Pikes Peak Writers has an offer you won’t want to refuse.

We are looking for people to fill four positions, that are neither board positions nor conference positions. Neither fish nor fowl, if you will.  

First, our Most Esteemed Blog Editor, Donnell Bell, is looking for people who would like to contribute to the PPW blog on an insanely broad variety of topics. If you’re a blogger (or would like to be), contact Donnell directly at editor@pikespeakwriters.com.

Next up: We need a Contest Director for the Zebulon Writing Contest, only the finest writing contest in the history of the written word. The contest is highly automated, and responsibilities include yearly review and updates of categories, rules and judging instructions; recruiting judges; coordinating with our traditional and social media mavens; and, of course, handing out the awards at the conference banquet. If you have questions or are interested, please drop a note to contest@pikespeakwriters.com.

Following on the heels of Contest Director, we’ll need judges for this year’s contest. Keep your eyes on the website and social media, because that’s where the call will come out!

Is anyone here a fan of Writers’ Night? Held the fourth Monday of every month, 6:30-8:30 p.m., Writers’ Night is a time to hang out with your fellow writers and ask the burning questions. How do other people deal with writer’s block? Where do you find short story markets for romance? How can you find the kind of agent you want to work with? This is an informal gathering. All are welcome, and all types of questions about writing are welcome. You can pick the brains of your peers and solve your latest writing dilemma. Our current host, Deb Courtney, is looking for someone to co-lead the group, and possibly eventually take over. If you’re interested, contact her at Deb.Courtney@comcast.net.

Source: gratisography.com
The final position is that of Volunteer Coordinator. This is the bane of every nonprofit group’s assistance—a way to keep track of volunteers, stay in touch with them, and get them connected to the people who need them. We’re in the process of building a volunteer database, but we need the human part of the equation to manage it. This position is wide-open right now—you’d be creating your own job description as you figure it out. This does require someone to be cheerfully and politely able to work with a wide variety of people. If you think this sounds like a groovy challenge, please contact J.T. Evans: president@pikespeakwriters.com.

Don’t keep this a secret! Please pass the information along to anyone you think might be interested.


About the Author: MB Partlow tries to inject her off-center sense of humor into everything she does. She writes mostly in the speculative fiction world, with forays into mystery and women’s fiction. Her first paid writing gig was for the A&E department of The Independent. She has also written a parenting column for Pikes Peak Parent and spent years writing restaurant reviews for The Independent and The Gazette. She’s a longtime volunteer for PPW, having done everything from stacking chairs to Conference Director to serving on the board, currently as the Vice President. She reads voraciously across genres, and thinks making up stories for a living is the greatest job in the world.

Wednesday, September 7, 2016

90-day Challenge: Writing Hot

Deb McLeod's 90-day Romance Novel Project
debmcleod.com
By: Deb McLeod

Life decided to intrude into my 90-day Romance Novel project since my last post. So I lost some days and the project isn’t 90 consecutive days, but I’ll still be finished before the 90-day deadline. I’m at day 63 today and I’m almost done revising the first act.

If you’ve been watching my previous posts you know I’m designing and testing a process to produce a genre novel of choice in 90 days – from idea to final revision. When I’m done with the revision, I will hire a proofreader and publish before November.

As a sixteen-year writing coach, my theory is that the writing process I developed should allow both my clients and me to produce quality fiction quicker than we currently are. To that end I decided to test my theory in the genre of my choice – romance.

Now in the final third of the 90-day Romance Novel trial, I’m deep in revision as I write this. Before I move onto the discoveries I’ve been making, I want to talk about revision.

Revision vs editing

I work and socialize with a lot of writers. When I ask them about their revision process almost all of them approach it the same way. After they’ve finished the first draft they begin to read, either online or in print, and jump into editing line by line. But that’s editing, not re-visioning. And it’s editing a story that isn’t ready for editing.

My theory of story is that the first draft is for the writer. It’s a skate across the surface of the story. As the writer you need to find out what happens, you need to know where to plant the tickles and the clues that will pay out down the plotline. You need to focus on the arc and the development of your character. You need to follow the riffs that occur to you, to allow subplots to emerge, and beyond. Basically you need to tell yourself the story on the page.

But the real writing happens during revision.

It’s in re-visioning the story that the book is made whole and becomes an experience for the reader. It’s in revision that all the craft elements in your toolbox should be put to use. The first draft is the figuring out phase. The revision is the deepening phase.

As a story developer and story editor, my job is and isn’t to line edit my client’s work. They expect the line edit. After all, they usually want to improve their writing skills (sentence skills), so I will show them how to improve their work at the line level. But in reality, the most important work I do is at the story level and especially at the scene level.

My revision process, and the one I teach my clients, is to re-vision the story with two goals in mind. To make the work tighter and deeper.
  • Tighter is easy to understand: no loose language, no dangling subplots, no faulty story logic, no bloated scenes, following riffs that matter, and more. 
  • Deeper means creating thematic continuity, honing the facets of the story, revealing layers of meaning, and crafting a felt experience for the reader. 
By focusing on these two aspects of the novel, the work is simply a better read. I’ve helped dozens of people discover the story under the story so the novel they produced was a higher quality novel.

How do I know what I mean, until I see what I say?

The first draft is for what you say. Revision is for what you mean.

At the core of my teaching is the idea that you have to become the best reader of your own work. So revision starts with analysis. Until you deeply understand a scene, its placement in the overall, and its connection to the themes as well as to the plot, you can’t create an authentic experience for the reader. So you must come up with a process that helps you analyze your story at the story and scene levels.



Word edits will come later.

My plot arc choice is Blake Snyder’s beats. There are other story structure maps that you can use to check the story at story level. For scene level work, I’ve had to develop my own tried and true tools. I have a scene arc tool, a conflict tool, and a way to discover and express the deeper meaning of each scene. I use a note card questionnaire in Scrivener for each scene and answering the questions analyzes what I need to know to deepen the scene for my rewrite.

The big discovery in my revision process

Two years ago I took a 22-week revision class from a popular writer/teacher and learned a lot. But as is my nature, as I was going through the class, I saw where there could have been improvements. This particular method focused on the story logic level of revision, the first level in my estimation.

And, the course was designed so that we spent most of the 22 weeks in story analysis and were then let loose to rewrite. The analysis was great, but by the time I got to the rewrite, the scenes I had analyzed were cold. And there was no help to make them deeper.

So writing hot is the main discovery I made in the revision portion of my 90-day Romance Novel project. When I analyze a scene I write the revision immediately – the same day. The analysis itself creates the spell to write it deeper. The discoveries I make show me what the scene really means. The rewriting uses that discovery to focus not only on the plot of the scene but the words I use and the flavor I create on the page.

I rely heavily on the barn exercise from John Gardner’s On Becoming a Novelist. It’s been a long time since I looked it up, but here’s how it is in my head after many years of teaching it. Basically it goes: write a description of a scene where a character comes upon an old barn. First write it from someone who is in love, but don’t reveal that fact or any details about the character’s story. Just let the love the character feels pick the words you use to describe the barn and how the scene unfolds.

Then write the same barn scene from someone who’s in grief, say someone who just lost a parent or a lover. But don’t reveal the details, just let the character’s mood and emotions influence the word choice.

What would the two characters see differently? What words would they use to describe the barn, given their state of mind? When you can do that you’re creating the experience of the barn through the lens of the emotion you want to convey. Now the reader will feel it.

Once you understand where your character is emotionally, it’s simply a matter of incorporating that into the plot of the scene, the beat in the story arc, the choice of verbs and what you show in the setting. It’s more fun than I ever imagined to see the story come alive this way scene by scene.

So I’m analyzing and rewriting day-by-day, scene-by scene, in order to write it hot.

When I’m done I will print, read all and comb any transitions that need it. I’ll run my editing cheat sheet over it for the line-by-line, looking for the bad habits I still carry. Then I’ll chapter it and send it to the proofer.

Here’s my stats at 61 days:
  • Total days spent on the project so far: 61 days 
  • Average time spent per day: 3.5 hours 
  • Exclusive days spent on character development: 3 days 
  • Exclusive days spent on plotting the arc: 9 days 
  • Plotting scenes and writing: 36 days 
  • Revision days so far: 13 days 
  • Word total for finished scenes: 52,834 
I’m shooting for a 60k word minimum so I have to add some scenes coming up, but I already know where they go. And I have found that the second half of the second act is a little longer than it should be. If I cut there, I’ll have to add elsewhere so I’m keeping that in mind as I go.

It has been a great discovery process for me. And best of all I’ll have a book when I’m done. So tell me, if you would, what are the revision aha’s you have noticed in your own work?

About the Author:  Deb McLeod, MFA, practices novel research immersion. For her novel, The Train to Pescara, Deb journeyed to Sardinia to study ancient goddess worship and spent time in the Abruzzi village her great-grandparents left in 1905. Her metaphysical knowledge for the Angel Thriller, The Julia Set, culminates from four years of studying and teaching meditation, clairvoyance and chakra healing. For over fifteen years, Deb McLeod has been a creative writing coach helping other writers to embrace their passion and get their words on the page. For more, 

Tuesday, September 6, 2016

Open Call for Board Members

By: M.B. Partlow


Are you driven by curiosity? Do you want to know how things work?

You can delve into the deep inner workings of Pikes Peak Writers, let your voice be heard, and make a difference!

Five PPW Board positions need to be filled in September. Two have incumbents running, but the rest are wide open, waiting for someone with the interest, skills and desire to be part of the group that steers the course of Pikes Peak Writers.

THE PRESIDENT is the public face of the organization when possible. This includes at events and conference. The president organizes date/time location for quarterly board meeting, along with the agenda (VP often assists), while facilitating communication among board members when a topic must be discussed (and potentially voted on) via email between board meetings. With the Secretary, they organize the annual election slate.

The President answers the PPW Google Voice number (traditionally forwarded to the President’s personal cell phone), and reviews, negotiates and signs all contracts not explicitly tied to a single conference.

The President appoints each year’s conference director and the Zebulon Contest Coordinator. He or she also appoints committee chairs and approves committee members. In addition, he or she attend committee meetings when possible, and is a de facto member of each committee.

For bonus points, the President may participate in awards committees and/or the scholarship selection committee for each year’s conference.

The job is currently filled by J.T. Evans who is running again.

THE TREASURER is the money person. The Treasurer keeps tabs on the bank accounts and PayPal account, and reconciles bank records and credit card records each month, with an established QuickBooks account. The treasurer is responsible for handling cash and records for the bookstore, the conference and for NCE events. In addition, he or she files quarterly taxes, files with the Secretary of State, and works with the accountant to get annual Federal taxes completed. The treasurer presents a general statement of income and expense at each quarterly board meeting. The treasurer also checks the PO Box, located in the Briargate area of Colorado Springs, near the Chapel Hills Mall.

Shannon Lawrence has done a wonderful job as treasurer, but needs someone else to take the job.

THE SECRETARY attends the board meetings, takes the notes, compiles and cleans up the notes after the meeting and gets them out to the rest of the board. Needs to track motions, seconds, votes, passage or failure of motions, too. If bylaw changes are made, the official documents need to be updated and filed accurately on Google Drive.
He or she also works with the president to put together the slate of nominees each year for the September elections and disseminating the slate and attendant documents to the board.

The job is currently filled by Stacy S. Jensen who is running again.

NCE DIRECTOR (Non Conference Events) is in charge of monthly free Write Brain programming, as well as additional free and for-fee programming throughout the year, such as Write Your Heart Out in February.

The NCE Director plans events, contacts the speakers, locates venues and caterers (if necessary), and runs the events the day of. He or she also keeps an eye out and coordinates some outside relationships with other groups, such as PPLD, the BAC, Friends of the PPLD, and other writing groups. In addition, the NCE Director handles coordinating advertising and outreach for NCE, and answering questions that may arise. [come to them]
You don’t need to have a database of Colorado authors in your brain to do this job. We have a proposal portal that will help you find interested presenters, as well as an NCE committee that helps with planning and execution. This job can easily be shared by two people who want to work together, but only one will sit on the board.

Jennifer LaPointe has been doing an excellent job with NCE, but needs to relinquish the position to focus on her duties as Conference Administrator.
 
MEMBER AT LARGE  The MAL role represents the general membership of PPW at the board meetings. This is a great position to get acquainted with the board and how it works. It offers the opportunity to work on a wide variety of projects. MALs are generally expected to take on at least one other role, such as heading up a committee to accomplish a specific goal.

ALL BOARD MEMBERS are expected to attend quarterly board meetings, which typically run 2-3 hours, usually on a weekday evening, at a public location. We try to avoid weekend meetings, but they do occasionally happen. We also sometimes have a longer, half- to full-day board meeting to catch up on board business, but this occurs every 12-18 months.

Everyone is expected to participate in the board mailing list. Volume of email can fluctuate from a few to a lot, depending on what is going on. Not every email requires a response from every member, but every member is expected to read them. 

If you are interested in becoming a board member, we ask that you submit a 1- to 2-page letter of interest to the president (president@pikespeakwriters.com) no later than Sept. 19, 2016.  The letter should include


·       Why you are interested in this position

·       A summary of your history with PPW

·       A summary of any PPW volunteer efforts

·       Any non-PPW volunteer experience that are applicable

If you have any additional questions, please feel free to contact JT Evans via email: president@pikespeakwriters.com.

About the Author: MB Partlow tries to inject her off-center sense of humor into everything she does. She writes mostly in the speculative fiction world, with forays into mystery and women’s fiction. Her first paid writing gig was for the A&E department of The Independent. She has also written a parenting column for Pikes Peak Parent and spent years writing restaurant reviews for The Indpendent and The Gazette. She’s a longtime volunteer for PPW, having done everything from stacking chairs to Conference Director to serving on the board, currently as the Vice President. She reads voraciously across genres, and thinks making up stories for a living is the greatest job in the world.

Monday, September 5, 2016

September Letter from the Editor

This is getting ridiculous. Didn’t I just write August’s letter? And now it’s time for September? Time flies isn’t a cliché, it’s a fact, and if you’re wondering what Pikes Peak Writers has been up to, I can attest that the organization has been up to--a lot. Take for instance, our brand new redesigned website go here or that, once again, it’s time for published and unpublished alike to get those entries ready. Because guess what? The Zebulon officially opens September 15. Want information about the contest? go here  (Note: The Zebulon is different than any writing contest out there).  Moreover, winners and finalists will be acknowledged at the 2017 Pikes Peak Writers Conference – now in our 25th year. Oh, and our 25th conference is going to be BIG – just sayin’.

Let’s see, what else? Elections are coming up this month, and the organization is always in need of volunteers. This week, in addition to our regular columns, you'll see M.B. Partlow has written some articles about what positions are open. As someone who volunteers for Pikes Peak Writers, I can promise you’ll get more than you give – friendship, support, a sense of accomplishment and belonging.

Interested in serving on the board or volunteering for the organization? Contact J.T. Evans at president@pikespeakwriters.com.

As you can see September is b-u-s-y, and so, too, is the blog. Catherine Dilts returns with her continuing series on ergonomics; Deb McLeod, the Writing Coach is back; Dawn Smit, Zebulon Contest Coordinator explains the contest and why YOU should enter; K.L. Cooper writes what you should do if you want to KILL a book launch; Dear Annie is back with scads of writerly advice; and two new columnists join us: Writer and Librarian Summer Greenwood presents Through the Eyes of a Librarian; and Writer and Instructor Jason Evans, who presented July’s Write Brain on Writing African-American Characters, has agreed to write a monthly history column beginning this month!

So much going on!  So many articles I've yet to squeeze in. I know, since there's an election coming up, I vote to add more days to September. No? All right, I'll just have to make do. What can you do to help me? Be sure to tune in.

Here's to a safe Labor Day and great September.



About the author: Donnell Ann Bell is the managing editor for Writing from the Peak, the coordinator for the monthly Open Critique held on the first Wednesday of every month, and one of Pikes Peak Writer's board members at large. She is a best selling romantic suspense and mystery author. To learn more about her books, find her at www.donnellannbell.com



Sunday, September 4, 2016

Quote of the Week and the Week to Come

“The writer has to force himself to work. He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him.” ~ Roald Dahl

Source Wikipedia and Brainy Quotes

Roald Dahl, born Sep 13, 1916 – Nov. 23, 1990 was a British fighter pilot, short story writer, screenplay writer and novelist. His books have sold over 250 million copies worldwide.  His awards for contribution to literature include the 1983 World Fantasy Award for Life Achievement, and the British Book Awards' Children's Author of the Year in 1990. In 2008, The Times placed Dahl 16th on its list of "The 50 greatest British writers since 1945".
Dahl's short stories are known for their unexpected endings and his children's books for their unsentimental, macabre, often darkly comic mood, featuring villainous adult enemies of the child characters. His books champion the kind-hearted, and feature an underlying warm sentiment. Dahl's works for children include James and the Giant Peach, Charlie and the Chocolate Factory, Matilda, The Witches, Fantastic Mr Fox, The BFG, The Twits and George's Marvellous Medicine. His adult works include Tales of the Unexpected.

This week on Writing from the Peak:

September 5    Letter from the Editor Donnell Ann Bell

September 6    Open Call for Board Members by M.B. Partlow

September 7    The Writing Coach Deb McLeod

September 8    PPW’s Call for Volunteers by MB. Partlow

September 9    Sweet Success Celebrates Margaret Mizushima


            

Friday, September 2, 2016

Pikes Peak Writers September Events

Open Critique – Sep. 7

Currently Open Critique is full for the September session. To join us next month, contact  critique@pikespeakwriters.com. To learn more about Open Critique


Write Brain – Sep. 13

What:  Querying an Agent and The Zebulon
Who:  Joel Quevillon
When: September 13, 6:30-8:30 pm
Where: Venue@21c (upper floor, to the right if coming in the upper entrance) of Library 21c, 1175 Chapel Hills Dr. Colorado Springs, CO 80920

More Information: Manuscript done, but not sure about the next step? Come learn how to prep your work for submission to an agent. Do’s and don’ts so you won’t get a rejection before they even look at your novel. We’ll touch on Query Letters, Synopses, and First Pages.
What’s The Zebulon got to do with it? The Zebulon is PPW’s Fiction Writing Contest, which simulates the real process of acquiring an agent.

About the Presenter:  Joel Quevillon’s first Pikes Peak Writers Conference was in 2008, and he volunteered for the 2013, 2014, and 2015 conferences. He is on the Zebulon committee and has judged the contest numerous times. Joel writes speculative fiction, which gives him the opportunity to touch several genres. He got serious about writing after a dinner conversation with two authors in 2007 and has been at the keyboard ever since. Hiking 14ers, fly fishing and college football are the major distracters to his writing. Joel has spent most of the last 20 years in some form of journalism or communications position. Joel has degrees in journalism and management from the University of Arkansas. (Woo Pig Sooie!) He lives on the other side of Pikes Peak.

Facebook Event: Want to see who else is coming? Check 
here.


The Zebulon Writing Contest opens for business -- September 15, 2016

http://contest.pikespeakwriters.com/


Free Writers Night - Sep. 26
Location: Kawa Coffee
Address: 2427 N Union Blvd, Colorado Springs, CO 80909
Fourth Monday of every month
6:30 – 8:30 p.m.
Join fellow writers for PPW Night  on the fourth Monday of every month.
PPW Writers’ Night is two full hours of discussion, laughter, and fun with other local members of Pikes Peak Writers.

Kawa Coffee stays open for our gathering when they would normally be closed. We understand if you can’t afford a coffee or a snack, but please don’t bring outside food and drink into the coffee shop. Thank you for your understanding.
The direction of the meeting is decided by the participants and can include discussions about query letters, obtaining and working with an agent, writing conferences, or other specific points of the craft.  If nothing else, we talk about books!

If you have any questions, or if there is a specific topic you’d like to get on the agenda, send an e-mail to the host, Deb Courtney, or call her on her cell phone at 719-337-9049.

Meetings are scheduled to start at 6:30 and run until 8:30. These are drop-in meetings, so feel free to attend all or just part of them.

See you soon!