Showing posts with label writing rituals. Show all posts
Showing posts with label writing rituals. Show all posts

Wednesday, March 2, 2016

Through Accountability Writers Write

Deb McLeod Group Accountability
The single best piece of advice a writer can get is to write. Every day.

But let’s face it, it’s hard to get to the chair, hard to carve out time from our busy lives, hard when we aren’t sure how to go about it, and when we haven’t written in a while. Yet as a writer there is nothing more satisfying than finishing. Starting is more fun, to be sure. But finishing is the only thing that will get us where we really want to be.

If you already have a habit of writing, that’s terrific. Keep at it. And, once in a while, refresh yourself by challenging that habit from time to time. I ask my freewriting clients to challenge their time limits. To stretch them so their scenes don’t all have the same arc. Or to shorten them and force the brain to go deeper, faster. Challenge your habits and see what a charge you can get from the new energy you’ll have.

For those of you who don’t write regularly, what stops you from making writing a habit?
  • Perfectionism
  • Lack of craft knowledge
  • The romance of the dream
  • Support
Perfectionism will kill your career before it starts. When I was a graphic designer producing creative work on demand and on a client’s schedule it helped me move into the ‘good enough’ space. When you’re on a client’s deadline you’ll let the piece go when the clock runs out. But how do you reproduce that motivation when you don’t have someone tapping their fingers just waiting for you to be finished? How do you manufacture goals for yourself?

Lots of beginning and intermediate writers don’t know how to achieve the effects they’re looking for. They know what they want but they don’t know how to get there. Sometimes the craft hasn’t caught up to the talent. And that’s frustrating. Because it takes talent to see that what you’re doing isn’t what you wanted. That gap is really very encouraging. But until you improve your craft to catch up to your talent you won’t close the gap.

Ah, the romance of it… this is the one that got me. I wanted the myth of the writer. Not the everyday slogging of the writer. I wanted to have written. I wanted the dreamy (and unrealistic) accolades without putting in the work. But the only way into the dream is by creating a daily habit of writing. The only way to any proximity of the dream is through the continuous exercise of the fingers.




Support can come in many forms. I know lots of writers who don’t have the support of their families and who almost have to write in secret. For those whose families support you, be grateful. The stories I’ve heard in my years as a coach of writers whose families don’t support their writing would break your heart. Even if you do have the support of your family, chances are they really don’t understand how writer-you ticks. They may not get how long it takes to write the book you’re working on. They may not think they’re bothering you by sticking their head in the door just as you get into your flow. All they know is that you like to sit in front of a computer and write. To them not much seems to happen with your writing.

The solution to all these problems is, of course, to create a habit. To create rituals, focus on planning, create a support system.

Rituals are a physical signal to your body that it’s time to write.

Planning doesn’t have to be a prison. Planning, even small planning, like what am I going to work on tomorrow relieves the stress of what to write next. It makes getting to the chair easier. And, you can always change the plan if you sit down and get a better idea.

The fact of it is that writers write. They get work done. Everyday. They plan. They don’t wait for the muse. They show up. Group accountability can make your job so much easier, more fun and bring you to the finish. Get my free guide to group accountability.

About the Author: Deb McLeod, MFA, practices novel research immersion. For her novel, The Train to Pescara, Deb journeyed to Sardinia to study ancient goddess worship and spent time in the Abruzzi village her great-grandparents left in 1905. Her metaphysical knowledge for the Angel Thriller, The Julia Set, culminates from four years of studying and teaching meditation, clairvoyance and chakra healing. For over fifteen years, Deb McLeod has been a creative writing coach helping other writers to embrace their passion and get their words on the page. For more, see www.debmcleod.com.

Wednesday, July 24, 2013

The Odd Quirks of Writers

By Donnell Ann Bell


"Don't explain why it works; explain how you use it."
- Steven Brust

Lately, I’ve been thinking about the writing process, e.g. superstitions and quirks, and I’ve come up with a theory. It might not be scientifically conclusive, but I suspect I’m not far off. Perhaps some curious sort will apply for a grant to determine the outcome. Meanwhile, I’m running with it. I’m convinced each writer’s process is as individual as fingerprints.  

I’m often amazed at writers who say, “My process is x, y, and z. Do it this way.” Often, people give in, only to say, “I tried that – didn’t work for me,” “I write in the mist,” “I outline,” “I’m character-driven,” “Your book won’t be any good if you don’t plot your novel from start to finish.” How many times have we heard statements like these? 

Storytelling has been around since the beginning of time. And, certainly, the caveman didn’t have a critique partner staring at his wall carving, demanding, “Really? The T-Rex ate him? What was his motivation?” 

Each writer has to find his own way.  Whether you write better in the morning, prefer to work late into the evening, write every day, or on the weekend, it’s your job to find your process, to find what effectively works for you.

In talking to people, I discovered some of their processes are actually quirks.

One author lights a candle, slathers lotion, and puts on music.

Another must have absolute silence.

One writer bakes cookies. (Sorry, I’m sworn to secrecy and can’t give out his address.)

And, of course one wiseacre (Mike Befeler) said he can’t write until he turns on his computer.

As for quirks, I think I have one that’s unusual. If I create a character, I have to use him. Whether or not I use the manuscript, if I create a character that has done nothing wrong, save the plot fell apart, I leave him―or her― with the solemn promise he or she can try out for a future role. (Maybe I was a producer in a former life, who knows?)

I did that in my upcoming November release, BETRAYED. I wrote my character Nate Paxton for a role in an unpublished novel, Bad Timing, which took First Place in the Pikes Peak Writers Contest, by the way. I wasn’t enamored by the manuscript, but I was taken with Nate. He’s a vice cop and he’s a great character. So, I asked if he wanted the part in BETRAYED, and surprise, surprise, he did!  

Now the female protagonist in Bad Timing is all bent out of shape and claiming I’m playing favorites. Not to worry, as soon as I find the right storyline, she’s got the lead. 


One thing that is etched in stone, and probably evolved from the caveman, is that WRITERS WRITE. Good luck finding your process, your quirk(s), and creating those magical stories we all love to read.  


About the Author: Donnell Ann Bell is a two-time Golden Heart® finalist who previously worked for a weekly business newspaper and a parenting magazine. Her debut novel The Past Came Hunting became an Amazon bestseller, reaching as high as #6 on the paid overall list. Her second book, Deadly Recall, brought to you by Bell Bridge Books, reached #1 on Amazon. Learn more about Donnell atwww.donnellannbell.com.