Showing posts with label innate ability to write. Show all posts
Showing posts with label innate ability to write. Show all posts

Wednesday, March 26, 2014

The Ability to Write: Nature or Nurture, Part III

By Pete Klismet


(Continued from Part II last month)

My research into the ability to write had to go a few steps beyond where I had taken it to that point, which wasn’t very far. So I searched under the topic of “Are Talented Authors Endowed with an Innate Writing Ability?” and found an article by one Mathew Kulas, who claims to be a professor of writing (do they really have these?).

In his article, Mr. Kulas proposes: “Many people argue that accomplished storytellers are born with this skill, however I am in no way certain. Maybe you might have a degree of predisposition, yet I think that authors are created (my emphasis added). In my opinion certain authors are highly gifted but even so these individuals still had to develop the gift by way of extensive learning, practice, in addition to thinking. For that reason, I think writing to be all three — a skill, a craft as well as a talent.”

That didn’t help a lot, but I also realize research means you form a hypothesis (a theory) and then seek to either prove or disprove it. Thus, Mr. Kulas didn’t help much, because he seemed to equivocate, claiming all three are factors. But maybe he’s also saying if you have the native ability and hone it, you could become a skilled writer. Makes sense. However, I have also learned the idea behind investigating or researching something is to avoid coming up with a theory, and then finding facts to fit the theory, not disprove it. So I needed to press on.

Next I came across an article by one James M. Jaspar. Reviewing his website, Mr. Jaspar appears to be interested in teaching people how to write, particularly when he says: “Anyone can learn to write well. This is not some innate skill like perfect pitch. Solid, even elegant writing is an ability we acquire little by little, learning the proper uses of one verb or preposition at a time, mastering long sentences then short ones -- and then figuring out how to combine the two. We learn to compensate for our own stylistic idiosyncrasies, whether these are an excessive use of adverbs or logical connectors or a tendency to write one paragraph after another of exactly the same length.” His website is located at:  http://www.jamesmjasper.org/Writing.html.

So I concluded: Either he’s wrong, or I’m wrong, but I’ll go with him being wrong, since I have little clue what he’s trying to say. Albert Einstein once said “If you can’t explain your topic simply, you don’t understand it yourself.” I didn’t find Mr. Jasper’s article to be simple. Plus, he seems to want to make money by teaching those who can’t write how to write, so I had to conclude we’d have to agree to disagree. Mr. Jaspar’s article definitely didn’t advance my theory much farther than where it had already been.

Part of the reason for even looking into this somewhat esoteric topic was based on thirteen years of teaching in a community college. I found out that reading the written work of some of my students was almost impossible. Many couldn’t spell, but worse than that those same students were not able to carry out a thought beyond one sentence. Others did quite well. So I was stuck in a quandary, wondering if I was truly accomplishing anything in trying to make my poor students write yet more while frustrating themselves to death (not to mention me having to read what they were trying to say). It took some time to figure out that there was a direct correlation between those who were poor writers, and those who got poor grades.

“Ah-ha!” I thought. “Now I’m onto something.” Perhaps the ability to learn is based on one’s intelligence level. Contrary to what the U.S. Constitution says, my theory is that “All men are NOT created equal.” I had a living laboratory right there in front of me. So, I had a meeting with myself, tried to think outside the box, and formed my own theory: “The ability to write well is based on one’s level of intelligence.” Good writers tend to be brighter people. They can interpret information and think critically about what the information means. Then they can explain it in understandable terms. Those who don’t have this ability are only capable of parroting back rote information. 

Absolute proof of this came in my Human Relations and Social Conflict classes. Part of my final exam consisted of doing essays on topics we’d covered over the course of the semester. Being the nice professor I was (!), I let them use their notes to do the essays. I would pose eight questions related to topics we’d covered, tell them to pick the four they liked, and finally to create essays on those four. Without fail, the better students could take their notes and explain what we were covering. By contrast, the poor students would simply re-write their notes, meaning they had written down the information, but had no clue how to explain it, so they just simply parroted their notes back to me.

In the Criminal Profiling class I taught, I did the same thing, only with a higher degree of difficulty, since it was the most advanced course in our program. I’d give them four fact patterns and ask them to do a ‘profile’ of an unknown offender, based on the fact pattern of a murder case or a sexual assault. Voila! Exactly the same results. Some would just re-write a laundry list, but could not explain how they’d come to the conclusions. The better students would do an in-depth analysis and explain every point they were making. It was a pleasure to read the latter, and whether they were right or wrong was less important than how they explained the conclusions they arrived at.

My educated guess would be that the ability to write is a function of one’s intellectual capability. Those with higher intelligence simply write better. Sort of the old “you can’t make a silk purse out of a sow’s ear.” The best example of that would be personal observations in my college classes. In fact, I eventually learned to minimize the amount of writing in my classes, because I found a direct correlation between good writing and good grades, and that the reverse was true. The other thing I found was that students who couldn’t write, or were too lazy to do so, would get someone else to write a paper for them. Or wouldn’t write it at all. 

In conclusion, I believe you’ve either got it or you ain’t got it. I’ve thought that for years, and I now have myself even further convinced. If your intellect isn’t fairly high, you probably have failed to learn the basics you needed to learn about writing well in the early grades. And if you missed that, or ignored it, then it will influence your ability to write the rest of your life. I’d like to think I proved my theory, but I’m still not sure. It was fun thinking about something I’ve wondered about for years. The question would then be, am I a good enough writer that you understand why I wrote this and what it all means? If the answer is “yes,” then I’ve done my job in expressing my opinion.


About the Author: About thirty years ago, a small cadre of FBI agents were hand-picked by the FBI’s Behavioral Science Unit (BSU) to receive training in what was then a highly-controversial and ground breaking concept: Psychological Profiling. Pete Klismet was fortunate enough to have been chosen to become one of the original FBI “profilers.” He received additional training, was temporarily assigned to work with the BSU in Quantico, Virginia, and put that training and experience to work in assisting state, federal and local law enforcement agencies in investigating violent crimes. 

He was named National Law Enforcement Officer of the Year in 1999, the same year he retired from the FBI. For the next 13 years he taught in colleges, and is now retired as a professor emeritus. He and his wife Nancy live in Colorado Springs.


Pete’s award-winning book FBI Diary: Profiles of Evil is available at www.houdinipress.com and www.amazon.com. He plans to release ‘a couple more books’ in 2014. 

Wednesday, February 26, 2014

The Ability to Write - Nature or Nurture? Part II

By Pete Klismet


In Part I of this article, I explained how important a person’s writing ability is to the eventual solution and prosecution of crimes. Having seen a lack of this over the course of many years, I decided to explore it in a more systematic manner.

Since research on the ability to write would be helpful, I decided to start mine by asking my wife a simple question. “Was your mother a good writer?” My wife and her sister both are excellent writers, more than able to convey their thoughts, whether in an email or some other form of written communication. For the record, my wife’s answer was “Yes.” I thought that was an excellent start to proving my theory that the ability to write is inherited, thus genetic.

Believing this topic deserved more extensive research, I asked myself, “Was my mom a good writer? How about my dad?” And the answer to both questions was an unequivocal “yes” for both, despite the fact that my dad had only an eighth grade education (the required standard for the time he was in school). Then I asked myself, “Are your kids good writers?” Again the answer was yes. So I quickly advanced my theory ahead a few more spaces on the board.

Then I asked myself, “Am I a good writer?” And the answer was “I think so.” I know when I was a police officer in California, some of my reports were deemed to be “legendary.” And I always enjoyed writing them. I enjoyed doing research papers in college and graduate school, seeing these as an opportunity to think outside the box. In the FBI it is said that only about ten percent of all agents can put together a complex investigation, explain it in reports, and then write a wiretap affidavit (which is basically longer than the worst term paper you ever did, and has to be reviewed by tons of lawyers). In twenty years, I wrote about ten of them. So apparently I was capable of writing at a high level while in the FBI. 

But, did being able to write good reports, search warrant and wiretap affidavits predict a good writing career? Those reports are generally narrative, and that type of writing doesn’t necessarily translate directly to an ability to write a novel. I found that out with the first book I wrote, which was deemed “horrible” by a literary agent after she read only part of one chapter. I was floored. Result: Writer’s block for about five years. I was a hopeless case. My self-esteem plummeted. My hopes and dreams of someday becoming a best-selling author were dashed. 

Or so I thought. I was living in Cedar Rapids, Iowa at the time, and about twenty miles down the highway was the University of Iowa. Somehow, I found out about their famed Writer’s Workshop, and decided to see if I could attend. No problem. Pay the tuition, attend for two full weeks, and hopefully come out a better writer on the other end. And so I paid and attended. We did a lot of evaluating of each other’s work. When my chapter came up for review, it prompted an extensive lecture by our instructor. And finally the light bulb went on and glared brightly. I remember him saying, “You build a story by using action and dialogue.” You mean narrating won’t work? Nope. But I was really good at writing police reports and stuff like that. Doesn’t matter, that was narrating, and it doesn’t work if you’re trying to advance a story in a novel. Oh, now I understood why I got that scathing rejection – I can write great police reports, but that doesn’t translate to writing a book someone will want to read and which will hold their interest.

It was just the jolt I needed, but then came the problem of adapting my writing style to my newly-learned knowledge. You can’t tell a story with dialogue only, and if you revert to action, you’re back to narrating. This caused a significant paradigm shift for me. I had to see if I had the ability to blend both of these concepts together. And quickly learned it wasn’t as simple as I thought it would be. There was going to be some work involved. I had to ask myself if I had the commitment. The only way to find out was to start writing again. But, don’t write fiction. I didn’t need to do that. All of my years in law enforcement, about fifteen by that time, gave me enough experiences to write more than one book. In fact, I now have about eight in my head. It’s a tight fit, in case you were wondering. 

I continued my research on the Internet and found there was no shortage of information about the ability to acquire language as an innate ability. But what most of that referred to was people being more able than others to learn new and different languages. I knew that didn’t apply to me and was not what I was trying to discover. I did, however, find some short articles about the ability to write being an inherited trait. Which I was very excited about, except that the answers were clearly maybe or maybe not. That didn’t advance my theory a whole lot, either.

I found a somewhat compelling blog by someone who calls himself “Rodismay.” The blog had a ton of advertising links, so his goal is apparently to teach people to be better writers and make money in the process. There were a number of comments by various people who said they felt their ability to write was “God-given.” Mr. Rodismay also commented, “When I am in the mood, one word heard or read can be expanded into more than 1000 words.” Hmmm, I thought, that sounds a lot like me (and surely some of you). It’s almost like being an alcoholic, by way of analogy: Once you start, you can’t stop. Maybe that’s not the best analogy. A better one might be getting the so-called “Runner’s High.” I’ve had all of these things happen, so maybe writing is akin to an addiction? And maybe, just maybe, I’m onto something here. Research on addictions shows a high degree of predisposition, such that if one is an alcoholic, someone above you on the food chain, whether mom, dad, grandpa, etc., was or is an alcoholic as well. So maybe this guy Rodismay has me headed in the right direction. And maybe I was starting to think outside the box as I wanted to be.

And I continued my research. I’ll explain that and how I tried to connect the dots in the third part of this article.


About the Author: About thirty years ago, a small cadre of FBI agents were hand-picked by the FBI’s Behavioral Science Unit (BSU) to receive training in what was then a highly-controversial and ground breaking concept: Psychological Profiling. Pete Klismet was fortunate enough to have been chosen to become one of the original FBI “profilers.” He received additional training, was temporarily assigned to work with the BSU in Quantico, Virginia, and put that training and experience to work in assisting state, federal and local law enforcement agencies in investigating violent crimes. 

He was named National Law Enforcement Officer of the Year in 1999, the same year he retired from the FBI. For the next 13 years he taught in colleges, and is now retired as a professor emeritus. He and his wife Nancy live in Colorado Springs.


Pete’s award-winning book FBI Diary: Profiles of Evil is available at www.houdinipress.com and www.amazon.com. He plans to release ‘a couple more books’ in 2014.