By Bonni Philipp
I had done my research and meticulously
picked out the agent for my PPWC pitch appointment who I knew would be the
perfect person to represent my book. I then spent countless hours honing my
pitch, practicing it in the shower, in the car, to anyone who would listen. At
last the morning arrived for my appointment and I was so nervous. For the half
hour before my allotted time I paced the parking lot of the hotel, rehearsing my
pitch, coming up with potential questions the agent might ask, what I would say
when she told me she thought my book sounded brilliant…that it was exactly what
she had been waiting for.
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After applying a fresh coat
of lipstick and popping a mint in my mouth, I tossed my notes into my bag and
marched towards the hotel doors. I streamed past the crowds of people who were
milling about in the lobby, drinking, laughing, relaxing on the sofas, and
walked purposefully past them, thinking how in the next twenty minutes my whole
life was going to change. I rode the elevator up to the seventh floor and
emerged into a crowded waiting room of people.
After checking in, I sat off to
the side, where I once again began to mentally recite my pitch. I found it hard
to keep focused, however; the level of tension in the room was so palpable. Some
people chatted to each other nervously, while others seemed to be like me, silently
practicing their lines; still others mumbled to themselves, their eyes
closed. One woman even started
doing stretches while taking large gulps of air and telling everyone in the
room in a shrill voice, “I’m just so
nervous!” It was what I had imagined it would be like auditioning to be on American
Idol or for an acting part in a movie—exciting but at the same time completely
nerve-racking.
One wave of people was
called, disappearing single file through the hallway. After a few short minutes
passed, it was my group’s turn. Sincere cries of “Good luck!” were uttered as we filed down the
hall. For a brief moment we
waited, as the next group was not yet done. Then as if a were race beginning, the
woman who had led us down the hall shouted, “GO!” and darted out of our way.
The clocks had started. We had exactly eight minutes.
I scrambled with the rest
into the room and quickly located my agent, wasting no time in delivering my
pitch. After I was done, my agent
looked at me with a strange frown and said it didn’t really sound like a
thriller, sounded too boring for that. My eyes bulged. I felt a lead weight drop
inside of me. “No, no…it really does get quite exciting,” I tried to convince
her, blubbering on for a minute about it, not quite sure how much sense I was
really making. At last my agent shrugged, not really looking convinced. “I
guess you can email me the first couple of chapters…”
Next thing I knew, my agent
was shaking my hand and saying with a large smile, "Well, it was nice meeting
you.” I looked around the room, where all the other writers were still chatting
eagerly with their editors and agents. I had no idea how much time was left, but
I didn’t want to say goodbye just yet. “So,” I said, trying to think of something, anything, to dissolve the
awkwardness that was growing between us. I asked my agent a question or two,
and then suddenly she grew very excited. (I couldn’t help but notice how much
more so than when I had pitched my book.) “Have you ever watched the TV show Bones?” she asked. I shook my head. “Has
anyone ever told you that you look exactly like the character Daisy? I mean exactly!”
As I had never watched the
show, I had no clue which actress she was talking about. And then to make
matters worse, an elderly woman on the couch close by, overhearing our
conversation, agreed. She and my agent talked on about the TV show, about the similarities
between the character and me. Apparently even our smiles were the same, including the way I tipped my head a certain way to the side. I couldn’t quite believe it—not knowing how to respond
besides with an agreeable smile, a fake laugh. But inside all my hopes and dreams of finding the perfect
agent and getting a book deal were getting squashed by the second. Everyone else in the room was talking
about their books, and here I was spending my precious
eight minutes talking about my resemblance to a TV character.
For the next few hours I had
a hard time getting past what had happened, not sure whether to cry or laugh about
it.
It wasn’t until about a week
later when I realized that this experience hadn’t been a complete waste. It
caused me to look again at my pitch, which was consequently a major part of the
query letter I had sent to countless agents over the past year with little
success. I realized that I had perhaps
not been pitching my book in the best possible way, and that my agent may have
been right in pointing out that the way I was marketing it didn’t quite fit the
genre in which I categorized it. It also made me realize that even though
my first pitch had gone so differently than I had envisioned, the experience
only made me stronger as a writer; because that is after all, a part of the
process, the long road to getting published. It is about learning to stand up
and keep going no matter how many times we get knocked down. It is about
believing that our work is valuable, is worth our time and effort, and with
persistence and a little bit of luck the day will come when it will be
recognized as such.
About the Author: Bonni Philipp is a recipient of the 2014 Pikes Peak Writers Conference Scholarship. She has written for Women’s Edition Magazine and is currently working on a collection of novellas centering around love and diners. She lives in Colorado Springs with her husband and cats.
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