|"Easy-to-read is hard to write." — Pam Zollman|
By Stacy S. Jensen
As a kid, I worked on jigsaw puzzles. Today, I'm back at work. No pieces this time — a jumble of words.
My quest to add submissions into my writing process has resulted in feedback and rewrites.
The revisions click on some days. I hear angels sing.
On other days, I feel like all the puzzle pieces are black. I have no idea where to begin. I hear my toddler say, "Now, that's a problem."
Before critique groups, I rewrote my manuscripts completely. It's an easier technique with a 500 or less word picture book manuscript. Third person point-of-view changed to first person. My main character morphed from a boy to a girl. Secondary characters vanished.
Now with an assortment of critique groups — in person, online, and a local Society of Children’s Book Writers & Illustrators (SCBWI) critique group — I add a new layer to the process. I pick a version to submit and absorb the feedback.
I've decided to allow myself to be irritated by some suggestions.
"They can't kill my darlings! That's my job!" Oops said that out loud.
Of course, I've found that acknowledging how the feedback annoys me actually helps me. I think about it (well, steam about it sometimes). I question the validity. I rewrite the scene with the suggestion.
I've found that it works sometimes and sometimes it doesn't.
At the end of the day, it's my story. For me to pitch it, to be passionate about it, and to continue revision after revision, it has to stay my story.
After attending the Big Sur in the Rockies last spring, I am bolder about how I utilize critique time. I may ask for specific attention to an area of the story or a format issue like an illustration note.
Even though critiques fire me up to revise, I often will wait a week before opening up the story again. I do research like check out books brought up during the critiques as possible comparable titles. Then, I return to the critique notes. I make changes. I ignore suggestions. I write new scenes. I replace words.
The perfect word is important in any genre, but in a short picture book it can be difficult to find.
Then, I decide whether the story is ready to return to the outside world. Oh, and whether I need to rewrite the query letter or not.
As I go through revisions, I do focus on whether I really love the story or not. At one conference, an agent mentioned she must love a story, because it takes two to three years for it to reach bookstore shelves. The same can be said about a story I write. You must love a story to keep revising it over and over again until it's right.