One
of my brothers and I were discoursing on the topic of writing, and he asked
“...how does ‘all writing help all
writing’? For example: how does writing tech manuals help writing a screen play
for a comedy?”
I
have been using that statement in my signature block for some years. I believe
it. Now, I’m not going to get all scientific-y on everyone (except for one
link, below), I’m just gonna use experience, but on the more mechanical and
mundane side of the coin, any time we set out to do anything, it sets up new
neuro pathways, even changes existing ones (okay, maybe a little scientific-y...).
Basically, the dendrites and axons move, and break, and form nerve connections.
For getting all “science-y” about dendrites, neurons, and axons, click here. I wasn’t
able to find what I was looking for in my research, but there was a History
Channel (I think it was) show that described how these connections change with learning. On a related
topic, there’s also “muscle memory,” where the body learns, gets used to doing
something it’s been repeatedly doing. The more you do something, the more you can do something, and the better you can be at it. The more you
write, the better you get at it.
It’s
called practice.
On
the Zen side of things, I feel that the more we “tune” ourselves into whatever
it is we’re doing, the better we become at it. The more “practiced” we become
in accessing whatever it is we “access” when we write.
“Where did I come up with that?”
“Did I actually know
that term?”
“Man--that was good--that came
out of me?”
This
ever happen to anyone?
Now,
while you might need to learn the specific format and mechanics of technical or
comedic writing, the fact that you’re becoming (or already are) a writing machine (yeah,
give yourself some credit) will propel you forward in all your writing. You may
not be oriented toward either of the abovementioned areas, but you are in other
areas, and you’re a writer. That means you can write. For example, working on other, dissimilar areas of writing
can help all writing through one or more of the following:
1. Formatting
and formulation of ideas, topics, and structure.
2. Deadlines.
3. Writing
fast.
4. Writing
to word counts.
5. Outlining--mentally
or physically.
6. Receiving
criticism.
7. Writing
and rewriting. And rewriting.
8. Better
use and combination of words and grammar.
9. Better
familiarity with words.
10. Develops
your “voice” (yes, I can see my “voice” in my technical writing as well as in
my fiction.
11. Writing
toughness (you think this stuff is easy?).
All
of the above and more will make you a better, faster, more economical and
efficient writer. There’s also the sitting down part (butt-in-chair syndrome),
which is a pretty important aspect in
and of itself.
Does
it really matter what it is you’re
writing about? If your life depended on you writing a rousing, emotional plea
for action--or how to put together or break down (blindfolded!) a blender--do
you think you could do it?
Of
course you could.
Can
you write funny? I’d say most of us have (intentionally or unintentionally) talked
or acted funny in our lives. Use your writing superpowers to translate those
experiences into the writing medium.
I
am not one to parse things out and break down the “wholes” of things, I’m more
of a “gestalt guy.” I believe that the whole is greater than the sum of its parts, that all the little parts
know their own place in the Grand Gestalt and will do their part in takin’ care
of business, and as such, I allow it all to work its own metaphysical magic. Yes,
at some point--and throughout the writing life--some “learnin” need take place,
but I’m not really here to talk about craft. Just like I’m not a “parser,” I’m
also not a “craft guy.” All this is about the intangible--which, I am about.
You’re a writer.
You
write. Do so.
While
you’re writing, weird and wonderful things happen. Once you’re “in the zone,”
things come out of you that will very likely surprise you. But you have to allow this to happen, whether through
meditation or the act of writing itself, and there are plenty of books out
there on both of these.
Allow
yourself to write, allow all of your
writing--your life--experience to
flow through you, to come out in the medium of your choice. “All writing helps
all writing” is about state of mind.
About not compartmentalizing your
experiences, but allowing the Gestalt to overtake, to flow through you.
Writing
is simply putting one word in front of the other. It’s just like walking. How
we do it is where all the Zen takes place, the practice, the mechanics...the magic.
About
the Writer: F. P. (Frank) Dorchak’s interest
in the paranormal and reality manipulation has been with him as long as he can
remember and saturates his fiction and non-fiction. Currently a technical
writer, he’s published in the U.S., Canada, and the Czech Republic with a
handful of short stories and non-fiction articles, as well as his first
published novel, Sleepwalkers. His Twilight Zone-like short, “Tail
Gunner” was included in this year’s Longmont Public Library, You Belong
anthology. He’s attended 20 years worth of writer conferences, has presented
and volunteered at the Pikes Peak Writers Conference, presented at local
writers’ groups, and has been interviewed on local and Internet radio, most
recently this past April, on Roaring Success Radio out
of Castle Rock, Colorado. Frank’s Runnin’ Off at the Mouth blogsite can
be found at http://fpdorchak.wordpress.com/.
He’s currently working on an action/adventure conspiracy series, and is
represented by Cherry Weiner.
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