By: Summer Greenwood
When asked how reading has made me a better writer, my
first thought made me pause. It hasn’t! The
more I read, the less I write. Outside of sleep and work, no other activity
vies so heavily with my writing time. However, when I really consider my
writing process, reading adds value to every word and scene I construct.
To start, reading has taught me about emotion. Of course, I
experienced emotion before I picked up my first book, but reading allows me to
explore my emotional side. Which books bring
me to tears or keep from sleeping at night? Which settings calm me or set me on
edge?
The answers to these questions often find their way into
the scenes I create. When one of my characters is uneasy or frightened, my imagination
naturally defaults to storm clouds and solitude, while excitement and happiness
bring warm colors and supporting characters into my writing. Reading has taught
me to look for emotional cues in nature, in settings, and in communication.
Reading preferences can also influence writing. Beyond our
choice of genres, there are several other decisions we make before starting a
book and while we are reading. What format do we like? How do we choose a good
book? At what point do we decide not to finish a book? For some readers, the
only way to start a book is at the ending. They read the final chapter before
starting the first.
As a reader, I am less engaged in the beginnings and
endings of stories. I want to delve into the excitement right away and get to
the heart of it. I don’t like to spend hours getting to know the characters,
and I tend to give up before all the loose ends are tied up. Strange, I know.
This does affect my writing. I spend far more time working
on my backstory and ending than other parts of the story. Despite how essential
these sections are, my writer’s mind shies away as it does when I am reading
them. I can easily see how a reader, who prefers to begin reading at the
story’s end, might write the final scene before outlining the rest.
Reading has also defined my genre preferences. I love to
read retold fairytales, dark or realistic fantasy, and the occasional mystery.
If given a choice, I prefer to read historical novels rather than contemporary
fiction. It is no surprise that the scenes I write reflect my reading interests.
Examining each of these reading preferences brings me
closer to understanding my writing style. There is no question that I love reading
fantasy. I eagerly consume anything with dragons and spells, new worlds to
explore, and a villain or two. However, I find I am also a realist. Danger
can’t be thwarted with a conveniently learned spell or I abandon the book on my
table and glare at it for days. I struggle through books with near-perfect
heroes and heroines who are set on a path of sure success. When I write and
revise my fantasy scenes, realism tends to drive the arguments I have with my characters.
As you can see from the last example, I find an even
stronger link between my reading dislikes and the struggles I have as a writer.
While reading an epic, saga, or series, I tend to skim or stop if the character
doesn’t remain true to him or herself. For this reason, the questions I ask
myself most frequently as a writer involve character. Would she choose to say
that? How does this action reflect his need to control the situation?
About the Author: Summer Greenwood is a Library Specialist with the Arapahoe Library District, residing with her husband in the Denver Metro area. She loves writing fantasy fiction, participating in reading challenges, and spending time with her two dogs, Shadow and Savannah, and her Ragdoll cat, Pepper.
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