By Aaron Michael Ritchey
Let me start off by saying that writing the book of your
heart sucks big monkey butt.
I spent the last year working on the rough draft of a book I
absolutely love. The words never flowed
so well. The characters leapt from the
page. It was epic, complicated,
cross-genre. It was a joy to work
on. I laughed, I cried, the story became
a part of me. Was it better than Cats? Oh yeah.
I loved my new book so much that on the way to that first
critique meeting, I swore that if they didn’t love it, I would edit it all
myself and send it out, because it was perfect the way it was, the way I had spent
a year birthing it.
Of course, that first critique session with my beloved
project didn’t go well. When anyone said
anything negative, I wanted to punch them right in the kisser. My baby? Ugly? How dare you? I was
like a petulant child. But that comes
from writing the book of your heart.
It’s hard to be objective, even about simple word choice.
I want to use that word, damn you. It’s my left ventricle.
When I’ve written other books that I wasn’t so invested in,
it was so much easier to change things. You don’t like that my character is Asian? Okay, I’ll make her a redneck white girl from
Alabama. You think Paris is the wrong
setting? Okay, I’ll change it all to
take place in Anchorage. Sure.
Here's the deal, though. Writing novels takes a lot of time and work. It’s like being married. Do I want to be married to someone I love, or
do I want to be married to someone I can change without really caring? Okay, yeah, so both have their advantages.
Let me put it this way: writing takes blood. If you are
going to bleed, do you want to bleed for your soul mate, or do you want to
bleed for a casual acquaintance that you kind of like, but are mostly eh about?
Some people will tell you that readers can tell the
difference between a book someone writes for love and one written for
money. I don’t believe that. But I do believe this: If I’m going to spend
hundreds of hours, perhaps thousands, working on a project, I better love it.
But as the poets have said, love hurts.
So don’t write the book of your heart. Be mercenary. Write for the market. Write your
Aunt Matilda’s life story as a tax accountant. Copy down other people’s ideas and stay completely detached.
Unless you can’t help yourself. Then yeah, I understand. And we’ll bleed together.
About the Writer: YA Paranormal author Aaron Michael Ritchey has penned a dozen manuscripts in his 20 years as a writer. When he isn’t slapping around his muse, Aaron cycles to look fabulous, works in medical technologies, and keeps his family in silks and furs. His first novel, The Never Prayer, hit the streets on March 29, 2012.
I know exactly what you're talking about Aaron. I have one manuscript written from my heart...as a matter of fact, I have five different versions of the novel. I can't let it go, even though I work on other less interesting manuscripts between revisions.
ReplyDeleteYou bring up an interesting perspective- sell out your soul for the mass market or write from your soul and deal with rejection/ criticism/ etc.
ReplyDeleteI am not at the publishing stage, still writing. However, I do imagine that I would have difficulty with individuals critiquing a piece of work that I am particularly attached to. I wonder- how do writer's balance that double-edged sword? How do they write for the mass market without compromising their work?
Great post!
Yeah, Patricia, I feel you.
ReplyDeleteActually, Shaharizan Peter! Actually, I talk about writing for the market versus writing for yourself next month! Stay tuned!