Showing posts with label Trai Cartwright. Show all posts
Showing posts with label Trai Cartwright. Show all posts

Monday, July 27, 2015

The Adventure Begins

By Kim Dillon

What if…you had no affirmative genre, no manuscript in process, and ­no clue about how to maneuver Read & Critique X in front of Jane Stine, Parachute Press co-chair and legendary editor of the Goosebumps series?

You stay up late writing, and go for it!
pexels.com

The 23rd Pikes Peak Writers Conference in April catapulted me from merely thinking about writing into a phase of creative incubation. The conference provided unprecedented access to PPW faculty and opportunities to build a network of writing community colleagues.

Fearlessly entering Tales of Horror: How to Survive Plotting Nightmares, I was met by a lighthearted declaration from Stine that I must be a glutton for punishment. Translation: she recognized me from the R&C-X! “Plotting is all the same despite the genre,” she said, explaining the perfect way to develop any story idea begins with ‘What if….’

At lunch on Friday, I was a coincidental guest at the table of F.T. Bradley, an author with whom I was unfamiliar, although I had selected to attend her Write the MG and YA Mystery/Thriller session that afternoon. Our paths intersected daily, and Fleur and I engaged in multifarious laughs about Kraft Singles, shift changes in the kitchen between lunch and dinner, tongue-scorching shepherd’s pie, and a failed lemon bar heist. I’m now reading her middle grade Double Vision series – and fully intend to make good on the lemon bars.

All culinary capers aside, I sorted my collection of Flash Fiction Contest writing prompts Friday afternoon at the bar and wrote the rough draft over a serious red wine, obtained in anticipation of Mary Kay Andrews’ uncensored and highly entertaining keynote address. Her description of working for abusive jerks and learning to say ‘No!’ to work place intimidation empowered her as a human being and helped propel her to success as a mainstream fiction author. Identifying personally with her story, Andrews incited me to get mad, reclaim my assertiveness, and ‘stick it to the man!’

The next day, I caught the end of Scenes: Using Every Crayon in the Box and briefly addressed Andrews as she exited Eagles Nest within inches of where I sat. I explained that although I have not read her work, her keynote message made me a fan and inspired me in dealing with my own ongoing situation involving a man and a stick. Our conversation was short but meaningful, and before departing, Andrews drew a copy of Summer Rental out of her shoulder bag, saying, “I always bring extra copies with me because I like to give my books to people who say nice things about my work.” At Sunday’s book signing event I thanked her again and managed to turn that gift into a signed copy.

Wandering into a largely uninhabited banquet room on Sunday, I just can’t forget the warm  hospitality I received when a gentleman named Link Miller invited me to join the group for breakfast. Conversation ensued about all sorts of writing projects. I left the table with a preliminary structure for a story idea that began emerging as soon as the Choose Your Own Writing Adventure began. Connecting with Miller, president of the Parker Writers Group, was a fortuitous event as I attended their May meeting and agreed to help form a thriving critique group.

Gaining tremendous insight from Pam McCutcheon’s Saturday session, Brainstorming Using the Plotting Board, I visited with her at the book signing event. I took advantage of the personal invitation I received to attend her Writing the Fiction Synopsis presentation at PPW’s Write Brain event in May and left with a better understanding of loglines.

In closing, I must mention Trai Cartwright’s high-energy Top 10 Story-Telling Devices Movies can Teach Fiction Writers because when I went home exhausted to kids still young enough to have missed me and told them I wanted to watch Wreck it Ralph with them, I earned the high score! We watched that DVD three times that week, taking notes and pausing for discussion. My ten-year-old son Gage, who loves to write, really connected with the process of analyzing the three-
act structure of one of his favorite movies. I’m excited to have him along for the adventure! 

This post by Kim is part of the ongoing series of blogs by PPWC15 scholarship recipients.

Tuesday, February 10, 2015

Faculty Interview: Trai Cartwright

Compiled by Jason Henry

Are you excited? We certainly are! Why shouldn't we be? The 2015 Pikes Peak Writers Conference is just around the corner! It has been an absolute pleasure recruiting the incredible faculty that we have lined up for you this year and the workshops they will be teaching are proving to be just as amazing.

Pikes Peak Writers Conference is known as one of the best and friendliest conferences for many reasons. One of those reasons is that we provide as many opportunities as possible to not only learn from our faculty, but to get to know them. Keeping in the spirit of that very statement, we interviewed all of our faculty members to get inside their heads just a little. Really, we don't see the point in waiting until April. Do you?

Over the weeks to come, we will be posting those interviews along with the responses right here on the PPW Blog. Be sure to check in on Facebook and Twitter as well! We hope you enjoy reading these brief Q&As as much as we have!

Trai Cartwright (Author, Colorado)

1. What are the most compelling elements you feel are necessary for a good read? 
Two elements come right to mind: voice and impeccable sentences. As an editor, I trip on awkward or unnecessarily complex or redundant sentences, and rewrite them in my mind. Really clean prose that zooms is prose that's been attended to on a line-by-line basis, and readers can feel and appreciate that care. The other bit is what you always hear about. I love to find a writer who can transport us with their character or story's voice (rather than write in their own voice). One misconception is that voice comes naturally or magically. I find that voice comes with tons of rewriting; the more you know your characters, the easier it is for them to speak for themselves.

2. What do you see as the pleasures and difficulties of being a writer/artist in today's world?
Writing for me is always the pleasure. The potential of finding an audience is very pleasurable. The difficulties are what they always are: finding the time, finding the people who'll love and support (and publish) your work. Nothing original to say here!

3. What is the best career/writing advice someone has given you? 
Always. Be. Writing. That's cribbed from "Glengarry Glen Ross." I am terrorized by the thought that if only today, had I written, I would have had the breakthrough thought that would make this book sell... And of course if you are always writing, then you are hacking away at the hours it takes to finish a book, to be a better writer, to be the writer you need to be to sell.

4. Would you pass that same advice on or alter it? 
I pass it on and sometimes I even follow it.

5. What do you love most about your career? 
What's not to love? As a teacher/editor, I get to work with writers every single day of my life, and besides the act of writing itself, it's my favorite thing in the world. Helping someone take on their dreams...nothing is cooler.

6. What is something you wish everyone knew (or didn't know) about you? 
Nothing, I don't think. I stay as private as I need to for my two-thirds-introvert personality, and as public as I need to to be successful at my work.

7. Which fictional character do you relate to the most, and why? What character would your friends/family pick for you? 
As a kid, I had a tendency to relate entirely too much to fictional characters. Often more than real people. My favorite was Starbuck from "Battlestar Galactica" (the original Starbuck, played by Dirk Benedict). Granted, there weren't a lot of women role models in the 1970s and '80s, but I've never thought of gender as a barrier to identifying with a person. Starbuck was the best pilot, legendary really, but also a total scoundrel--a gambler, a lover of vices in all forms. But he was also unrelentingly optimistic, handled his business, backed his friends, saved the fleet countless times, and always had a quip ready.

I was not like Starbuck. At all. He was just the person I would have wanted to be. And in that way, I related to him.

As for my family, they'd probably say I was more like Kara Thrice, the female reincarnation of Starbuck in the new "BSG."

Quick Qs:

Pen or Keyboard? Keyboard. I can barely type as fast as I think; writing longhand would be hopeless.

Plotter or Pantser? Plotter. Please. I'm from Hollywood.

Book or E-Book? Book. And increasingly, audio books.

Spicy or Mild? Spicy. But not the regular spices Americans usually go for; I love Indian, Ethiopian, and Asian spices.

Sunrise or Sunset? Sunset. It tells me how many more hours of writing I can get in before I go to bed.

Mister Rogers or Sesame Street? Neither. I came up on "Battle of the Planets" anime.

Facebook or Twitter? Increasingly neither. I prefer to be dull and opinionated in private.


TRAI CARTWRIGHT, MFA, has over 25 years experience as a professional story breaker. While in Los Angeles, Trai was a development executive for HBO, Universal Studios, Paramount Pictures, 20th Century Fox, and Leonardo DiCaprio’s online ventures. Four of Trai’s screenplays were optioned, she produced three independent films, and she hasconsulted on literally thousands of scripts and books. She brings her in-depth knowledge of story building to all writing formats as a creative writing and screenwriting teacher for UNC, the Colorado Film School, writers groups, conferences, and one-on-one. Trai can be found at www.craftwrite.com.

Sunday, February 8, 2015

Quote of the Week and Week to Come

"What I do is put my characters into situations that are so precarious there is no way to get out. And then I figure how to get them out."

delibrosviajes.com
Sidney Sheldon (February 11, 1917 - January 30, 2007)
According to Wikipedia, the seventh best selling fiction writer of all time. 
The Other Side of Midnight
Bloodline
Rage of Angels

This week on Writing from the Peak:

* PPWC15                                                          MB Partlow & Staff

* Faculty Interview: Trai Cartwright                    Jason Henry

* Story Ideas                                                      Jax Hunter

* Faculty Interview: Seanan McGuire                Jason Henry

* Seven-Step Gospel for Writing Success         Aaron Michael Ritchey

* Why Come Back to the PPWC                        MB Partlow