Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Friday, December 11, 2015

Sweet Success celebrates Debbie Maxwell Allen

Debbie Maxwell Allen’s memoir, Unlimited: Conquering On My Knees (ASIN: B01638N2RK, 175 pages, soft cover, adult and young adult), was released December 14, 2015, by Stained Glass Publishing. Available at: http://bit.ly/unlimitedbook and you can read a free 2-chapter sneak peek: http://unlimitedbook.org/ 

1985 war-torn Uganda: 7-year-old Canisius Gacura fights for his life. Besides the conflict that splits his country, Canisius suffers a poisonous snake bite, measles, and polio in the space of one year. Pain-riddled and crippled, he battles discrimination and depression, finally attempting suicide at age 13. Then Canisius meets Jesus. His limitations suddenly turn into God's tools to reach hurting people.
 Legs protected by rubber boots, Canisius begins crawling – to school, to Bible college, and to minister to genocide survivors in Rwanda. Read the story of this rolling miracle, and discover what a living testimony of God can do.

Debbie Maxwell Allen writes young adult novels and works as a project manager for Good Catch Publishing. She lives in the Rockies with her husband, two cats, one dog, and whichever of her five children are home at the moment. 

Friday, August 21, 2015

Sweet Success! Anna Blake

By Kathie Scrimgeour

Anna Blake’s memoir, Stable Relation (ISBN 978-0-9964912-0-4, 240 pages), was released July 2, 2015 by Prairie Moon Press in paperback and ebook. It is available at Amazon and everywhere books are sold.

When most women go through a mid-life crisis, they start a diet, get plastic surgery, or have an affair. My life went to the dogs…and horses…and llamas… and did I mention happy hour with the goats?

My urban world came apart, so I took a leap of faith and crash-landed on a dilapidated would-be horse farm on the flat, windy, treeless prairie of Colorado. It’s the story of my bittersweet transition from a mid-life orphan to a modern pioneer woman, building an entirely different kind of family farm--Jeanette Walls meets James Herriot.

Anna Blake was born in Cavalier County, North Dakota, in 1954. She is a writer/blogger, dressage trainer, and horse advocate, residing on Infinity Farm on the flat, windy, treeless prairie of Colorado. The herd also includes horses, llamas, goats, dogs, cats, and Edgar Rice Burro. 

We love to hear of fellow Pikes Peak Writers Sweet Success, including story acceptance,winning contests, getting published and book signings. Please e-mail Kathie Scrimgeour at ppwsweetsuccess@gmail.com if you have a sweet success you'd like to share.

Friday, September 20, 2013

I Can Write a Book? I Can Write a Book!

By Susan Hardy



I've loved writing for as long as I can remember. I excelled in English and literature classes, and have always written from the heart. Maybe it's because I have always enjoyed reading. Growing up with a less than stellar childhood, reading was an escape from my father's abuse. Every night, in my tiny little room, I was transported into the exciting adventures of Nancy Drew, the imaginative world of Ray Bradbury, and the eerie depths of Edgar Allen Poe. As I got older and my husband was off on TDY's, I enjoyed Danielle Steel and Patricia Cornwall. And I have always loved the romantic classics in the genre of Jane Eyre, Little Women, and Pride and Prejudice. These days, however, after the devastating loss of my beloved son, I'm devouring books on suicide survival and the journey of life on the "other side". I'm still looking for answers. And being alone in that quest—after my husband of thirty-seven years abandoned the marriage—has not been easy. But I always know that my son continues to encourage me (as he always did) to follow my dreams of entrepreneurship and authorship.

Now, I can't help but feel that through adversity writing has become a purpose for the remaining days of my life. I am compelled to write my story of unwitting life with a sociopath. It needs to be cathartic, but mostly the intention is to help prevent even one woman from stumbling down that same path. When I am strong enough, it is imperative to write my son's story, as well, and give meaning to his all-too-brief and anguished life. He will tell me when the time is right. And there could even be a third book hiding in this old brain of mine! One never knows.

As a giant step in my pursuit of authorship, I recently attended my very first Pikes Peak Writers Conference. I was told about PPW by a dear friend who has been a published author for many years. I was able to attend one monthly meeting, but I found it noisy and daunting. They were speaking a language I had never heard before. A myriad of "insider" terms left me feeling perhaps this was not the place for me, after all. Or was I just missing something? But it was at that same meeting that I learned about the opportunity to win a scholarship to the PPWC one-day workshops. I mentioned it to my writer friend, and she said it would be an excellent opportunity for me to get my feet wet in the frustrating world of getting published.  She further explained that a full three-day conference, to a novice, would feel like "trying to take a drink from a fire hose." An accurate, albeit extreme, analogy.

So, feeling I had nothing to lose, I took a leap of faith and submitted my scholarship entry, quite literally, at the eleventh hour. I could not have imagined that I would actually be awarded that scholarship! I was thrilled to receive an e-mail notifying me that I been chosen to receive this year's scholarship. And I had even been awarded my first choice workshops! I couldn't wait. I felt like a five-year-old on the first day of school! I took confirmation of the award and a notebook of my writings, and nervously entered a whole new world.

My first workshop was "Truth and Consequences: The Pleasures and Perils of Writing Memoir, Personal Essay and Creative Nonfiction," presented by Katherine Eastburn. I could not have asked for a better initiation into the world of writing. Her presentation was warm and personable, informative and experienced. She made me feel as if I was in a one-on-one mentorship and she was talking directly to me. Of course, she was there for all of us, but if each participant felt the same way, Ms. Eastburn had done what she came for. She explained the genre in detail, provided countless resources, and offered smart suggestions. Even if I had only attended this one session, it was a wealth of guidance and support.

The afternoon workshop, "The Four P's of Nonfiction," presented by Matthew Frederick, was a virtual "how-to" in the pursuit of publication. He outlined what publishers are looking for and the best path for achieving those goals. A self-identified atheist, and somewhat more direct and matter-of-fact than Ms. Eastburn, Mr. Frederick was nonetheless a fountain of "inside" information. He provided additional resources, truthful insight, and abundant encouragement to all seekers of literary achievement.

Overall, my first foray into the formidable world of professional writing was a fruitful one. One simply does not write what they wish, send it off to a publisher and become a best-selling author. Not in the real world, anyway. It takes skill, determination and lots of patience, the latter of which I have in abundance. Stephen King was not an overnight sensation. But he did persevere. And so shall I, with God's grace.


About the Author: Writing has always given me a sense of "ownership" of my own thoughts. I've enjoyed writing articles, correspondence and poetry. But not until recent hardships in my life, did my writing become an integral part of trying to make sense of it all. My husband's abandonment of a 37-year marriage has inspired me to write something that might save someone else from the same fate.  Something cathartic and cautionary. And the recent life-shattering loss of my only son will be a future inspiration, when I am emotionally strong enough to pen his story. Until then, it's one day at a time.

Tuesday, February 26, 2013

2013 PPWC Bios - Kathryn Eastburn

Kathryn Eastburn


Kathryn Eastburn was one of our wonderful speakers this past Saturday at the Write Your Heart Out event. She used to be a journalist, and was the co-founder and editor of the Colorado Springs Independent, as well as a staff writer, for thirteen years until 2006. Her work with the Independent earned her many awards, including two PASS awards; multiple awards from NEWA, such as Best Feature Writing and Best Education Writing; and she received an honorary award from American Women in Radio and Television for outstanding achievement in media.

Her articles were not limited to the Independent; she was published in the Denver Post, Saveur and Texas Highways, as well as many others.

These days, Kathryn has turned more to teaching and writing literary non-fiction and memoir. She teaches at Colorado College and Lighthouse Writers Workshop, and has a weekly personal column, "The Middle Distance," at KRCC-FM 91.5, Colorado Springs, at 1 PM every Saturday. The show is podcast every Friday.

Her two non-fiction books are Simon Says: A True Story of Boys, Guns and Murder and A Sacred Feast: Reflections on Sacred Harp Singing and Dinner on the Ground. She also had a piece featured in Cornbread Nation 5: The Best of Southern Food Writing.

Kathryn will be teaching a workshop in Colorado Springs for the Lighthouse Writers Workshop starting March 21, 2013, 6:30 to 8:30 PM. It will be located at the Tim Gill Center for Public-Media, 315 E. Costilla St., Colorado Springs, CO 80903. Seating is limited, so you must RSVP. 

Description of the event from the Lighthouse Writers Workshop website:

8 Week: Reckoning with Memoir


Reckoning with memoir, we must ask and resolve a number of difficult questions. In this class we will consider: How do we tell our true-life stories without intruding unnecessarily in the lives of others? How do we write about those we love, including the difficult ones, with honesty and respect? How do we determine which aspects of our lives to explore in memoir? How do we establish our reliability as narrator of our own lives? How deep are we willing to go? We'll explore these and other reckonings through shared readings, discussion of exemplary works, in-class writing exercises, and focused peer and instructor critiques of student work.

The workshop is $285 for members, $315 for non-members.

You can find Kathryn at her website: www.kathryneastburn.com and at the Pikes Peak Writers Conference in April!


About the Writer:  Shannon Lawrence is a mom of two, a freelance writer and aspiring novelist.  She lives in Colorado Springs and is inspired by the beauty of Pikes Peak and the Rockies.  After years of letting her writing fall by the wayside, she has recently thrown herself back into it.  Her main focus is fantasy and horror and she has just finished a Young Adult Fantasy novel.  She has a flash fiction piece featured in the anthology Sunday Snaps: The Stories, due out in late February 2013.  She has also discovered a love of photography and enjoys photographing the breathtaking Colorado scenery and wildlife, as well as her children.  She blogs about reading, writing and photography at www.thewarriormuse.com.

Wednesday, February 6, 2013

Tell it Slant

By Deb McLeod

"Tell all the Truth but tell it Slant."—Emily Dickinson.
 Many of my private clients are writing memoir. All of them have heard of James Frey and Greg Mortenson and many of them have expressed concern as they try to claim their story. They are so intent on getting it right, they’re draining the juice right out of it.

I used to spend time soothing fears by talking about emotional truth. The truer truth of a life or a story. Sure, you have to gather the facts. Sure, you have to pay homage to the dialogue as best you can. But no one lives a life with a camcorder permanently on record.

The trouble comes because there’s a line between truth and fiction that isn’t defined, yet should not be crossed if you’re writing memoir. I say cross it for the story if you need to, just acknowledge that fact.

I think that’s really what people want in a memoir. That the facts are as we remember them and there’s a simple acknowledgment by the author that the story is one that is true to the best of the author’s memory. If characters have been blended into one or changed, the author merely needs to tell us that.

I advise my clients to put that acknowledgement in a preface if they must or to be more artful and actually write the truth, perhaps as something like this:

I grew up between Niagara Falls and Buffalo in western New York State. Everyone’s heard of the snow in Buffalo, like they’ve heard of the rain in Portland. There was snow, but more than that, there were ceaseless clouds, every day. Overcast gray. Gunmetal, ash, dusky, mousy, oyster-colored, lead and smoky stone that hid the sun and sat low on my forehead every single day of every single year I lived there.

Now I live in big sky territory and life here couldn’t be more different. A few years ago I was back east, back home. But the sky was blue. The same blue it is here in Denver. Not big blue, there are too many trees and buildings for that, but clear and blue and sunny. Was it really that endlessly dark when I was young? Or does it merely say something about me that that’s what I remember?

Now I’m free to talk about the endless gloom of suburban childhood with working parents and the absence of a creative outlet. Of depression, perhaps, and few friends. All contained within the phrase that the clouds sat low on my forehead, every single day.

What about this for an example of my blending friends into one?
Of all the friends I had, Laurie is the only one that stands out. There was Peggy and Wendy and other Lori and Patty McDee. Earlier than that, there was Linda and Patsy, Sandy and Suzanne. But they were the same girl, really. The second girl. The one I’d play with if Laurie wasn’t home. Let's call those second girls Missy and leave it at that. Missy was those girls that filled in the time, who played Barbie with me or jax or hopscotch, or later, who sang songs with me as we smoked leaning against the deadend sign on the next street over. 
Now I'm free to have Missy as a character and my reader knows what I mean. 

I really wanted to illustrate this point to my clients so I came up with an exercise for my writing circles about truth in memoir. I accumulated the facts about an incident that happened as I was leaving the library.

I made a list of those facts:

  • Saw a five year old girl alone in the car parked next to mine in the parking lot.
  • Talked to the librarian who called the head librarian who was going to call the police but wanted to see for herself.
  • The mother went out of the library in front of us and went to her car.
  • Knocked on the window to say hi, then folded clothes from a box in the trunk before she got into the car or opened the door or let the girl out. 
  • The librarian said: “That’s it, then” and left me on the sidewalk.
  • The mother stared at me as I drove out of the parking lot.
  • I dreamt about the little girl.

I wanted to show my memoir clients how I could write this scene three different ways with three different slants: all true, all different, all acceptable. You can read the three accounts here if you wish. I wanted them to compare the three and talk about the results.

So I wrote:
  • A straight scene with just the facts, ma’am. Dull and flat, we all agreed. Kind of what they were turning into me for homework. ;-)
  • One with a voice – I tried to be funny about a situation that wasn’t funny. This worked better simply because it had a voice.
  • One that was the truest of them all. Interesting to note that this version contained the least amount of the “facts” and was more about me than any of them. We all agreed that this one was the best.

I think that’s what a memoir captures. The emotional truth of a segment of the memoirist’s life. The universal truth the reader can identify with.

So don’t worry about tape recorder true. Decide what your slant is and write it from there. If you have to, tell us you changed things or better yet, just work it into the narrative. 


About the Writer: Deb McLeod, is a writer, creative writing coach and founder of The Writing Ranch. She has both an MFA and a BA in creative writing. She has been teaching and coaching for over ten years. Deb has published short fiction in anthologies and journals. She has written articles and creative nonfiction. Deb has been a professional blogger, tech writer, graphic artist and Internet marketing specialist.